Mary Poppins Returns
Log in with Facebook
Forgot your password?
Don't have an account? Sign up here
and the Terms and Policies,
and to receive email from Rotten Tomatoes and Fandango.
Already have an account? Log in here
Please enter your email address and we will email you a new password.
No consensus yet.
No consensus yet.
All Critics (52)
| Top Critics (23)
| Fresh (42)
| Rotten (10)
| DVD (3)
Detective Dee brings back the excitement of great pop cinema that drew cinephiles to Hong Kong in the first place.
It is a peculiar conflation of history -- there really was an Empress Wu -- and pure cinematic fantasy.
By the end, with the running time pushing past the two-hour mark, it's reasonable to ask: Just who are these people?
Detective Dee is the action flick of the year, a two-hour epic that blows the Pirates of the Caribbean to the Bermuda Triangle.
"Dee" doesn't shoot for the gravitas of Zhang Yimou's "Hero." It doesn't approach that film's magnificent sensory impact, either, or the artistic romanticism that made "Crouching Tiger, Hidden Dragon" such a success here.
Three decades into his career, Tsui Hark stands as one of the movies' great entertainers, displaying a dancer's sense of rhythm and movement and manipulating physical space with an abandon worthy of Chuck Jones.
The kind of escapist entertainment that they just don't make anymore, which also makes its allusions to real-world concerns such as political hegemony and torture feel a bit misplaced in this movie fantasia.
The film is both sumptuous and thrilling, with enough action to keep the audience entertained at the same time as keeping the clues rolling in to give the audience a chance to guess who the murderer is.
If you're looking for a popcorn movie, producer-director Tsui has crafted an absurdist fantasy that might cure -- or spontaneously combust -- the summertime blues. But even escapist entertainment can have interesting angles.
What's tragic about "Detective Dee" is the fact that it rapes a chapter of Chinese history beyond any semblance of reality.
The game's afoot, and the foot knows kung fu.
There is nothing wrong with its reach, but its grasp of genre elements is random.
A wonderful martial arts adventure that keeps a fun and engaging pace. Detective Dee is released from prison in order to help solve a series of spontaneous combustions. He's pretty much the Chinese Sherlock Holmes, but the film does mix fantasy elements as well. Detective Dee is joined by a series of interesting sidekicks, such as the albino member of the supreme court, Pei, and Jing'er a delegate of the Empress. The film has a fantastic ability to conflict characters with their own actions, showing a distinct line between responsibility and choice. The sets and landscapes were breathtaking at times, especially the gigantic statue of Buddha. The film does it all with great adventure sequences, and even has an impressive fight with some CGI deer.
Viewing Detective Dee I often felt a stranger in a strange land. The sensibilities of the film seemed as foreign as the language - all the talk of honor and serving the empire... while each character (and believe me, there are many) has their own and seemingly changeable beliefs on how to do so.
This flexible playing field could make for some interesting Byzantine politics, but somehow the film never got under my skin, making me care who was what. Perhaps it was the language barrier - having to read subtitles while watching all the beautiful sets and then missing parts of the action as the subtitles rolled by. "Wait a minute - who is this guy... isn't he.... No, he's some other guy" happened way too often - and perhaps this is just my inability to keep up with the twists and turns while trying to read the badly translated dialog (or at least I hope it was just a bad translation and not fer real cheesy dialog).
Anyhow, there are lots of nice sets and cool costumes on display, along with acrobatic foo reminiscent of Crouching Tiger - though here the jumps and such seemed too much CG.
I also have a distaste for films that start out with a long written narrative that tries to put you into the time and place (except for the first Star Wars film) - I dunno, it just seems like the film should let the viewers draw their own conclusions as far as the where and when of a piece - but I guess, given the gravitas of the narrative conclusion, that the Chinese take this story seriously (evidently there was actually an Empress Wu), and perhaps I'm missing something here as well.
On a final note of disquieting strangeness for me - it is mentioned several times that the towering statue to Budha being erected for the Empress' coronation was 60 yards tall - ok, half a football field - 180 feet, or 18 stories tall putting it another way - somehow that just didn't seem right as this sucker towers over everything. Again, putting a definite number on something where there didn't have to be one - just say the sucker was huge and let's leave it at that.... And once again I don't know why this bugged me - but somehow is part and parcel of my entire feeling of disconnect and bewilderment with the film.
Chinese version of Sherlock Holmes + Men In Black + some genuinely Chinese fantasy and campiness. And again, I just love Andy Lau.
One over the top power packed film, Doesn't get any better, plenty of action packed scenes. The acting and costumes are unreal, Can't imagine on the big screen or in blue ray. 5 stars 4-10-12
View All Quotes