The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The theatrical version is some kind of compacted masterpiece, hormonal, vital, dazed, blissfully unhinged... I'm too attached to Donnie Darko to worry over its wanton weirdness, its mix of concreteness and intangibility.
Maybe Richard Kelly's fate is to be the cult-film circuit's Michael Cimino. He has yet to match the mood or magnitude of his debut - a collision of time-travel sci-fi, commentary on '80s malaise and teen angst that's simultaneously witty and poignant.
The film...asks the question: what if the universe as we live it, not just as we theorize it, really isn't as we imagine it? In making the mundane as bottomless as the cosmic, Donnie Darko has the guts to remain a riddle itself.
The directors cut of Donnie Darko by Richard Kelly was screened at the Venice Film Festivals a couple of years ago, a film I missed for sure when it was released in 2001 and one of those pearls like Blade Runner that just is haunting screening after scree