Shirley
Da 5 Bloods
On the Record
I May Destroy You
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All Critics (58) | Top Critics (18) | Fresh (31) | Rotten (27)
Neither the social realism nor the stoner antics feel sufficiently thought-through, making Dough the definition of half-baked. June 5, 2017 | Rating: 2/5 | Full Review…
Neither the social realism nor the stoner antics feel sufficiently thought-through, making Dough the definition of half-baked.
Robbie Collin
[Pryce] is horribly let down by a predictable paint-by-numbers script and some overcooked supporting performances. June 2, 2017 | Rating: 2/5 | Full Review…
[Pryce] is horribly let down by a predictable paint-by-numbers script and some overcooked supporting performances.
Kate Muir
It remains a mystery why Pryce isn't getting more substantial scripts through his letterbox: he looks a touch squandered tossing flour and sugar around. June 2, 2017 | Rating: 2/5 | Full Review…
It remains a mystery why Pryce isn't getting more substantial scripts through his letterbox: he looks a touch squandered tossing flour and sugar around.
Mike McCahill
In their rush to provide a happy ending, the filmmakers lose sight of many of their own supporting characters and fill the plot with far too many artificial sweeteners. May 31, 2017 | Rating: 2/5 | Full Review…
In their rush to provide a happy ending, the filmmakers lose sight of many of their own supporting characters and fill the plot with far too many artificial sweeteners.
Geoffrey Macnab
This London-set comedy means well, but it's painfully earnest - and it doesn't help that the script is total nonsense. May 30, 2017 | Rating: 2/5 | Full Review…
This London-set comedy means well, but it's painfully earnest - and it doesn't help that the script is total nonsense.
Tom Huddleston
Give or take a handful of clumsy topical references, this is a film that could well have been made in the 1970s or '80s. Much of Goldschmidt's career has been in TV, and his old-fashioned technique is shaped by the requirements of the small screen. July 28, 2016 | Rating: 2.5/5 | Full Review…
Give or take a handful of clumsy topical references, this is a film that could well have been made in the 1970s or '80s. Much of Goldschmidt's career has been in TV, and his old-fashioned technique is shaped by the requirements of the small screen.
Jake Wilson
It is well-intentioned and occasionally has the odd moment of inspired wit, but it isn't enough, as the dough in this mix too often fails to rise to the occasion, even if it does have a warm touch. August 30, 2020 | Rating: 2/5 | Full Review…
It is well-intentioned and occasionally has the odd moment of inspired wit, but it isn't enough, as the dough in this mix too often fails to rise to the occasion, even if it does have a warm touch.
Andrew Gaudion
Dough is not a film for serious cinephiles but it is feeding a need for an audience hungry for this kind of warmhearted, hopeful story. May 7, 2019 | Rating: 3/5 | Full Review…
Dough is not a film for serious cinephiles but it is feeding a need for an audience hungry for this kind of warmhearted, hopeful story.
Cate Marquis
Interesting relationship between a Jewish baker and his Muslim employee gets lost in a dopey plot about marijuana and the mob. April 11, 2019 | Rating: C+ | Full Review…
Interesting relationship between a Jewish baker and his Muslim employee gets lost in a dopey plot about marijuana and the mob.
Rachel Wagner
English-Austrian director John Goldschmidt and his two writers have put together a tale that, while utterly predictable, is also simply delicious. August 26, 2018 | Full Review…
English-Austrian director John Goldschmidt and his two writers have put together a tale that, while utterly predictable, is also simply delicious.
Marcianne Miller
A striking lack of imagination. [Full Review in Spanish] November 13, 2017 | Rating: 2/5 | Full Review…
A striking lack of imagination. [Full Review in Spanish]
Francisco Marinero
[It] will leave a smile on the spectators who demand very little. [Full Review in Spanish] November 10, 2017 | Rating: 2.5/5 | Full Review…
[It] will leave a smile on the spectators who demand very little. [Full Review in Spanish]
Paula Arantzazu Ruiz
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