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All Critics (11)
| Top Critics (5)
| Fresh (8)
| Rotten (3)
| DVD (2)
Strip away the silly ideology of the old films, and Electric Shadows could be any movie buff's tale. It's the memory movie of our own mind, in English, Mandarin or whatever language the local Bijou screened them in.
Debuting writer-director Xiao Jiang shows she has the makings of a quality mainstream filmmaker.
Dreamy lighting, soft colors and lilting music mix with an agreeable cast.
This fanciful Chinese tearjerker wants to be an Asian Cinema Paradiso but doesnt quite live up to its prototype.
For every privileged moment (mother and daughter dancing in a yard of screen-like sheets hanging in the breeze), there's a death or sociopathic act that says movies can ruin your life.
Director Xiao Jiang has a easy way with the proceedings in the beginning of the movie, but the film loses its way in the latter half when Ling Ling's mother marries Pan (Li Haibin), the guy who runs the local cinema.
In an astonishingly accomplished first feature, female filmmaker Xiao Jiang puts an entirely different face on China's Cultural Revolution.
Chinese filmmaker Xiao Jiang makes an impressive debut with an extended flashback about two cinema-crazed kids coming of age amid the communist revolution of the early 1970s.
Like a Chinese version of The Notebook, every bit as sappy and shameless, only with crazier ingredients and 10 percent less saturated sentimentalism.
Xiao's bittersweet film is superficially a swoony love letter to the cinema. But her valentine has a hidden sting, rooted in some hard truths.
A touching, deeply evocative love letter to the history of Chinese cinema.
Sort of a Chinese Cinema Paradiso. Sentimental and compelling.
touching slow paced drama that takes time to unfold. Beautifully photographed, and a special film with an interesting story. My only complaint is that the entire film leads up to the end moment, when the 2 leads are reunited. However, that climax is so soft, almost to a whisper. I believe more could have been developed out of that moment, so in that sense a lost opportunity. An excellent work for a first time director.
The main character's name isn't Mao Dabing. It's still Mao Xiaobing. "Xiao" means "little" and "da" means "big," so he's joking that he has grown up. Very sweet movie but the more I watch it, the more leery I am of the melodramatic coincidences the story depends on.
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