The LEGO Movie 2: The Second Part
The Walking Dead
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All Critics (33)
| Top Critics (9)
| Fresh (29)
| Rotten (4)
| DVD (1)
The result is reasonably satisfying, but the direction shifts from tensile to muddy in the run-up to the finale.
A familiarly premised but stringently executed home-invasion chiller that rarely goes for the straight-up scare when a more insidious one will do.
Parents in the market for some deserved date-night distraction couldn't do much worse than "Emelie" - and that's meant as a compliment.
Mr. Thelin plays with genre clichés without upending them, and the results are more creepy than scary, with shivers that are primarily generated by the sight of threatened children ...
In some cases, a slow build is a necessary and effective way to up the scare factor. In this case, the slow build is painstakingly sluggish, a seemingly never-ending climb toward a climax that's not satisfying enough to be worth the wait.
Herbeck's script pokes at the anxieties of parents who leave their kids alone with virtual strangers, while Bolger excels at playing the nightmare version of a babysitter: seemingly sweet, cool, and capable, but secretly evil.
Emelie is twisted and very enjoyable.
The first half of Emelie is gripping, tense, and filled with unforgettable scenes and fantastic acting across the board. Everything after the twist is the polar opposite, and also highlights unforgivable flaws
...a promising yet half-baked endeavor that surely would've worked better as a short.
Not only could Emelie feasibly start a spate of similar psycho babysitter knock-offs if successful but it is also a great deal more interesting than most of its sub-genre predecessors.
Creepy, claustrophobic and unnerving, this is the perfect warning against hiring anybody you find off Facebook.
Moments are individually well-crafted but don't always work in the context of the movie as a whole.
Like some tired rehash of The Hand That Rocks the Cradle, this is a frustrating imbecility that seems made to only annoy the viewers with its dumb characters, inept direction, anticlimactic plot and a lame villain whose motivations for torturing children are just incomprehensible.
I do not know if this review will be very long, but I'll see what I can do. This isn't your typical 'evil babysitter' movie, which is really just a variation of the 'evil caretaker' subgenre that we, honestly, as far as I can tell, we don't get many movies from. In many ways it's also a home invasion thriller, though the film does throw in some small little twists so it's not so straightforward of a movie. The plot is pretty simple, Emelie, the sitter, and this man she knows, who is never named, kidnap and kill the real babysitter so Emelie can pretend to be her. She's basically doing this to find the perfect kid for her to kidnap and raise as her after her own baby died in an accident, that was her own fault, but an accident nonetheless. To find out who's the perfect kid for her, she does these tests, if they can even be called that, which are pretty fucked up. Well one of them is pretty fucked up. What I liked about the movie isn't the fact that it's realistic or anything of the sort, but the story itself is far more believable than just another movie where all the sitter wants to do is kill the family for no real reason whatsoever. I can buy a mother, who's also unable to conceive another child, being so emotionally distraught at the death of child that she would go to the extreme of pretending to be someone else in order to kidnap a child she can call her own. Like I can buy that far more than other films that share similarities to this. The film does go, like I mentioned, to some pretty dark places. The darkest scene would definitely have to be the one where Emelie shows the kids a sex tape of their parents. It was obviously shot in a way where the kids were probably watching something else, but just the idea that Emelie would do this makes her far more detestable and devious than if she had something far more straightforward like I don't even know honestly. But it does work in creating this really effective villain, a villain who's intellectually more manipulative than she is physically threatening. It also helps when you have Sarah Bolger doing such a great job with her character. It's not like I think she's one of the elite actresses out there working right now, she may be at a later point, but she's really fucking good in the role and she adds so much to the character. But, again, this is a role that's more about the smaller details about the character and what makes her tick and not necessarily about her being this Jason Voorhees-type, though the ending makes her look like that. Though, in this case, I can understand that she would live through what happened, since it wasn't that bad. So yea, I thought this was quite a good movie. I wouldn't go as far as to say that it's really good, but as far as a believable horror film, one that taps into some pretty universal themes, particularly for those who are parents, this is a good movie with an excellent performance from Sarah Bolger. I'd definitely recommend if it ever hits Netflix or if you have a free Redbox rental.
With servicable performances from its cast and a shout to Bolger's determined role and a intruiging though repetitive direction, Emelie reasonings and plot choices makes this movie flawed, though maybe someone can watch it and be inspired to do something truly great with what it has to offer.
The clever subtext to this thriller is that the children at first welcome breaking the rules that their parents have for them which the new babysitter allows. It's all a walk on the wild side ... until it turns into a real wild walk. Good performances enhance the tale. Favorite line: "You left your brother and sister alone with her?!"
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