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Da 5 Bloods
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I May Destroy You
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David Lynch's surreal Eraserhead uses detailed visuals and a creepy score to create a bizarre and disturbing look into a man's fear of parenthood.
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All Critics (59) | Top Critics (13) | Fresh (53) | Rotten (6)
It's beautiful and strange, with its profoundly disturbing ambient sound design of industrial groaning, as if filmed inside some collapsing factory or gigantic dying organism. October 14, 2014 | Rating: 5/5 | Full Review…
It's beautiful and strange, with its profoundly disturbing ambient sound design of industrial groaning, as if filmed inside some collapsing factory or gigantic dying organism.
Peter Bradshaw
What makes Eraserhead great -- and still, perhaps the best of all Lynch's films? Intensity. Nightmare clarity. And perhaps also it's the single-mindedness of its vision. October 14, 2014 | Rating: 4/4 | Full Review…
What makes Eraserhead great -- and still, perhaps the best of all Lynch's films? Intensity. Nightmare clarity. And perhaps also it's the single-mindedness of its vision.
Michael Wilmington
A murkily pretentious shocker. October 14, 2014 | Full Review…
A murkily pretentious shocker.
Tom Buckley
David Lynch's remarkable first film, made in 1976, still looks like a minor masterpiece, mixing Gothic horror, surrealism and darkly expressionist mise-en-scne. September 12, 2008 | Rating: 4/5
David Lynch's remarkable first film, made in 1976, still looks like a minor masterpiece, mixing Gothic horror, surrealism and darkly expressionist mise-en-scne.
Derek Malcolm
David Lynch has "cleaned up" his freaky feature debut, but don't worry - it's still an amazing industrial nightmare. September 12, 2008 | Rating: 5/5 | Full Review…
David Lynch has "cleaned up" his freaky feature debut, but don't worry - it's still an amazing industrial nightmare.
Tim Robey
David Lynch's 1977 feature debut Eraserhead is one of those rare films that really deserves its cult status - a nightmarish, heavily symbolic story set in a postapocalyptic future. September 12, 2008 | Rating: 4/5 | Full Review…
David Lynch's 1977 feature debut Eraserhead is one of those rare films that really deserves its cult status - a nightmarish, heavily symbolic story set in a postapocalyptic future.
Wendy Ide
Those black and white images stay with you; ingrained deeply in your soul. October 15, 2020 | Full Review…
Those black and white images stay with you; ingrained deeply in your soul.
Rob Aldam
A hallucinatory drama with impeccable technique and exemplary cinematography. [Full Review in Spanish] August 16, 2019 | Full Review…
A hallucinatory drama with impeccable technique and exemplary cinematography. [Full Review in Spanish]
Jesús Fernández Santos
German Expressionism meets grindhouse schlock, Eraserhead is a student film-turned-cult classic that probably would've been better as a 20-minute short. August 12, 2019 | Rating: 3/5 | Full Review…
German Expressionism meets grindhouse schlock, Eraserhead is a student film-turned-cult classic that probably would've been better as a 20-minute short.
Christopher Lloyd
"In heaven, everything is fine," but in Eraserhead (1977) nothing is fine. David Lynch's debut feature is grim, disturbed, mutated, claustrophobic, a world that appears to be unraveling-or, more accurately, decaying-before our eyes. January 13, 2017 | Full Review…
"In heaven, everything is fine," but in Eraserhead (1977) nothing is fine. David Lynch's debut feature is grim, disturbed, mutated, claustrophobic, a world that appears to be unraveling-or, more accurately, decaying-before our eyes.
Sean Axmaker
Linear plots with easily defined cause and effect are the kinds of stories we are used to, but sometimes it's refreshing to enter a world where logic takes a backseat to purely evocative storytelling. December 13, 2015 | Rating: 4/5 | Full Review…
Linear plots with easily defined cause and effect are the kinds of stories we are used to, but sometimes it's refreshing to enter a world where logic takes a backseat to purely evocative storytelling.
Eric Melin
It is the vision of the paranoid transposed upon the screen; the fact that it remains extremely interesting ought, I suppose, to be worrying. But perhaps our eyes have become so desensitised that nothing, any more, will widen the iris. September 29, 2015 | Full Review…
It is the vision of the paranoid transposed upon the screen; the fact that it remains extremely interesting ought, I suppose, to be worrying. But perhaps our eyes have become so desensitised that nothing, any more, will widen the iris.
Peter Ackroyd
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