Everything, Everything (2017) - Rotten Tomatoes

Everything, Everything (2017)

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AUDIENCE SCORE

Critic Consensus: Everything, Everything should tug young adult heartstrings fairly effectively, but may not be quite engrossing enough to woo less melodramatically inclined viewers.

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A teenage girl (Amandla Stenberg) is unable to leave her home because she has an immunodeficiency that makes her allergic to almost everything. However, her life changes for the better when she begins to communicate with the boy next door (Nick Robinson). Everything, Everything was directed by Stella Meghie, and was adapted from the YA novel of the same name by Nicola Yoon.

Cast

Amandla Stenberg
as Maddy Whittier
Nick Robinson
as Olly Bright
Anika Noni Rose
as Dr. Whittier
Peter Benson
as Dr. Chase
Taylor Hickson
as Kara Bright
Robert Lawrenson
as Mr. Waterman
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Critic Reviews for Everything, Everything

All Critics (68) | Top Critics (21)

Everything, Everything is not for everyone, but it will satisfy a certain subset of teenage girls who are compelled by watching fragile girls come-of-age with the help of a pretty boy.

May 24, 2017 | Rating: B- | Full Review…
Top Critic

Stenberg's relaxed charisma carries what is a rather preposterous premise... Aside from its leading lady, what "Everything, Everything" has going for it is its light, fantastical aesthetic and unexpected sense of buoyancy.

May 22, 2017 | Full Review…

Stenberg and Robinson are enormously appealing young actors, but charisma only goes so far in a story that manages to be, as directed by Stella Meghie, sterile and wildly far-fetched.

May 19, 2017 | Rating: 1.5/4 | Full Review…

Only partially succeeds in being the right romantic medicine.

May 19, 2017 | Rating: 2/4 | Full Review…

Engrossing and not too sugar-sweet, Meghie's movie is slightly paranoid, surprisingly fantastical and superb at translating the overwhelming stupor of first love with big, bold shots and a banging soundtrack.

May 19, 2017 | Rating: 3.5/4 | Full Review…

"The Fault in Our Stars" meets "Room" in "Everything, Everything," a confounding psychological drama masquerading as a cutesy teen love story.

May 19, 2017 | Rating: D | Full Review…

Audience Reviews for Everything, Everything

For a film about an unforgettable romance the worst crime Everything, Everything commits is not exactly searing itself into the minds of viewers as such. Everything, Everything is a fine enough teen love story, but it is also a very slight love story-never allowing us to become invested in the characters or passionate enough about their plight as it seems we should. Moreover, the film does this to itself as it very well could have allowed more time and dedicated more of that time to developing why our two leads do indeed fall head over heels for another. Alas, at only ninety-six minutes Everything, Everything only has so much space to divulge the complexities of our greatest of virtues. That isn't to say the film doesn't make good use of the time it does spend on our star-crossed lovers, but only that we get to the inevitable rather abruptly (which might otherwise be admired) leaving the remainder of the film and the risks these characters take for one another seem all the more drastic and irresponsible which is the last thing you want when your movie positions the kids as the heroes who are smarter than the adults that surround them. The point being, as with everything, ones reaction to Everything, Everything will largely depend on the stage of life that viewer is currently experiencing when taking it in. Being a young parent, but someone who still feels at least slightly in touch with youth/popular culture Everything, Everything played with my sympathies toward the conundrum our characters face while at the same time appreciating that were this to actually occur in the real world the parents would be more rational and the stakes nowhere near as dire. Young love wants to feel a little dangerous though, a little forbidden, and slightly scary-it is what gives it that rush of excitement and uncertainty; it is what makes it all that more memorable in hindsight and it is in these details, in the minutiae of such times, that Everything, Everything actually finds its success. Director Stella Maghie and the screenplay from J. Mills Goodloe (Age of Adaline) that was of course adapted from the New York Times Bestseller by Nicola Yoon doesn't so much let her film stand on the shoulders of grand gestures or dramatic speeches, but more in the small, precise details of what makes love worth living for when you're young and want nothing more than to feel indestructible. This focus on precise over big moments allows much of the underdevelopment and lack of any real arc to (mostly) be forgiven come the end of the movie. Still, you won't remember much of it the next day. read the whole review at www.reviewsfromabed.com

Philip Price
Philip Price

Super Reviewer

½

Before you watch this film, please be aware that "Everything, Everything" may not have everything you are looking for. Okay, now that's out of the way. If you're into romance and are totally looking for a film to watch, this is for you. Otherwise, wait or watch other movies released now.

EpicLadySponge the Adventurer
EpicLadySponge the Adventurer

Super Reviewer

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