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Critic Reviews for Felt
It's a reminder that while genre movies usually look toward violence, there's just as rich territory to be explored in what happens after it, in the marks it leaves that go beyond the physical.
"Felt" is a moodily disturbing character study of a besieged woman for whom art is engagement and coping mechanism, but also conversely a source of alienation and even a weapon.
Director and co-writer Jason Banker's story of post-rape trauma is deeply unpleasant (you were expecting maybe a cheerful story, one in which Chekhov's gun somehow doesn't go off?), but thoughtfully, creatively so.
Some viewers will no doubt find "Felt" maddening because it never answers seemingly crucial plot questions that a normal movie or TV show would feel compelled to clear up. That ambiguity is precisely the source of its power, and its cinematic quality.
At once underwritten and overconceptualized. Reading about the filmmakers' intentions is more rewarding than watching the results.
Audience Reviews for Felt
Bold, eerie, and darkly haunting, FELT is a brutally nihilistic journey through the life of a cynical young woman disenchanted with love and the world around her. Though slow-paced and meager in providing any discernible plot, FELT succeeds as an unparalleled exploration of feminism, sexuality, and the bleakness of human existence. FELT probably also holds the record for the most fake penises and vaginas shown in a film.