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Flannel Pajamas is a talky and overwrought love story that is redeemed by fine performances and character insights.
All Critics (45)
| Top Critics (23)
| Fresh (23)
| Rotten (22)
| DVD (1)
Flannel Pajamas is so gorged with gab it feels like a filibuster.
Better to rent Scenes From a Marriage, Manhattan or My Dinner With Andre and stay home -- flannel pajamas optional.
In his sophomore feature, Lipsky doesn't feel the need to pump the movie with showy visual tricks. You don't even know he's there most of the time, which is probably a compliment.
Flannel Pajamas is a sharply observed dissection of a couple's relationship, from blind date to marriage to difficulties over everything from whether to get a dog to when to have a baby.
This is all quite fascinating.
This is the kind of introspective drama in which a determined pair of young, very fine actors and a strong filmmaker put everything on the line to explore emotional truth wherever it exists.
Tough but worthy.
Twenty minutes or so of cuts would probably have helped the movie pack a more potent punch.
They ought to have cut both the film and the marriage a little shorter.
The incisive moments of recognizable humanity, though, are outnumbered by those of awkward obviousness.
Maybe Lipsky's been too direct in his screenplay; he makes us feel like informed witnesses to their relationship rather than participants. Which means, we spend most of the movie thinking, just break up already, please.
It's a harsh look at a love that seems good until it isn't any more... and frankly, I got tired of both of these people long before they got tired of each other.
A finely crafted indie drama, with outstanding performances by Julianne Nicholson and Justin Kirk. It moves forward with such amazing clarity, and painful honesty. Anyone that has ever had to go through a divorce, or even a difficult doomed relationship, can recognize how real this movie is....and sad. This film shows a non-sugarcoated portrayal of love.
Watching this relationship begin is like a bad car wreck. The couple's relationship progresses way too quickly - before we are able to get to know them well and before they are able to really understand each other. More to the point, Stuart is a first-class, grade A asshole. He's almost impossible to like.
What is interesting is the film's attempt to give us intelligent characters. It is as though Lipsky saw a Woody Allen movie and said, "I want characters who read in my film too!" Except, when Stuart goes off on his complex analysis of Nicole's character, it is more presumptuous than accurate, more like an authorial voice than his.
Structurally, Flannel Pajamas is a mess. Many of the "other things" that interfere in this couple's relationship seem to come from left field. This is particularly true of the mother-in-law's antisemitism, which was so radical a departure from the action that I wondered if this film was too autobiographical ... or simply poorly made.
But for all its flaws, I found myself charmed by Flannel Pajamas. I think I respect what the film was trying to do, even though it never got there. After all, life's events, which intrude on our relationships, never happen in manner conducive to good story-telling.
Overall, see a real Woody Allen movie or Scenes from a Marriage instead, but if you've seen all of these, then scrape Flannel Pajamas off the bottom of the barrel.
a film that wallows in its own oddity. There are scenes of poetic dialogue and others that are just so obvious that you wonder why they didn't end up on the cutting room floor.
There is good acting going on here, but somehow, by the end of the film you just don't care anymore.
Many have said that the message of the film is that "real" love can't survive. That's bull - this isn't real love, at least not in the male lead's case - he loves that he can dominate and manipulate her - which, while being a form of self love, shows he doesn't love her at all (proven by his sudden "need" for her after she finally grows a spine and leaves him).
The revelations about the lead's envy of his crazy brother hold more attention than the 2nd half of the film, which seems to spin out of control and fall into a pattern of non-sequitors like the hospital cafeteria conversation with the mother, which starts out with her proclaiming anti-semitism, but then saying that had nothing to do with her dislike for him, and her feelings that he wasn't right for her daughter. Ok, I'll buy that often truths are couched behind a smoke screen of other words, but this was just out there and left you feeling ambivelent about the entire affair.
At first I thought this movie was just an excuse to show lots of nudity. As it progressed it became a pretty interesting depiction of a couple who are happy and get married ignoring things that later in their marriage become a problem, eventually leading to a divorce. That's really the whole plot, and it's more of an exploration of the event than anything else.
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