Ralph Breaks the Internet
Mission: Impossible - Fallout
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All Critics (9)
| Top Critics (7)
| Fresh (8)
| Rotten (1)
There's storytelling vigor here and fine performances, plus some pointed exchanges about the burdens of cultural identity and emotional preservation in the aftermath of immense upheaval.
A framing device isn't needed, but the film is compelling overall.
"For A Woman" tells a story that is pretty much fraught with both romantic and political intrigue and it is therefore a little surprising to report that the end result is itself not especially intriguing.
An inviting sense of mystery hangs over the events of 1947, Ms. Kurys's origin story. There are some things, she seems to say, that we never fully understand, including the people we are closest to.
The striking Thierry brings her character to nuanced life on screen, torn between loyalty to the man who saved her and passion for his Nazi-hunting brother.
This is engrossing stuff, not only in the remarkable details of the parents' lives, but in the psychological nuance with which Kurys imagines them.
It pulls you in without ever hinting at where it might take you. And that's a gift.
A historical drama pieced together when two sisters discover things they didn't know about their parents' life in post-World War II France.
Director Diane Kurys paints an evocative, witty portrait of love, longing, ideology and desolation in post-World War II France.
This French post-war drama is definitely not a comedy as listed on RT. Written and directed by Diane Kurys, it has some biographical elements and many added fictional parts to make the movie more plausible for wider audience. The combination was right, and the result is very touching and emotional story of Anne who finds out there is a family secret. She discovers that her late mother once had a love affair with her brother-in-law... who they didn't know that even existed! In 110 minutes there was enough of mystery, love, betrayal and struggle to keep everyone entertained and to keep watching but without all the "foaming" soapy elements. French stars Nicolas Duvauchelle and Benoit Magimel play Ukrainian-born but France-raised siblings, with Melanie Thierry playing the latter's young wife, who finds herself inconveniently attracted to her brother-in-law. Acting was out of this world, almost perfect... until the last few scenes where I was distracted with the ridiculously looking Magimel under so much old-age makeup, transformed to something which did not belong with the previous scenes of the movie. Odd, fake and disturbingly bad.
Most of Diane Kurys films are connected to her life, and the effects of the divorce were revisited in almost all of those. The first thing you will notice in this film is how well was the spirit of the era caught on a screen, from scenography to costumes to the dialogue and acting. Everything seemed right, from the little remarks the husband was making about the length of the dress, to the helping with the laundry in the kitchen when there were no washing machines around. A real time capsule! The director's eye for a detail was amazing. It was developed at the time when she began as an actress with Jean-Louis Barrault's company. She gained film stardom, but felt unable to express herself under "the director or any kind of authority or control." That made her to transition into writing and film making with a special focus on the things which bothered her previously as an actress.
If you are a fan of beautifully crafted historical (melo)drama, and you could make yourself pretend that you didn't noticed the last part with the "old Magimel", have this one on your list!
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