
Gate of Hell
1953, History/Romance, 1h 30m
10 Reviews 500+ RatingsYou might also like
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Cast & Crew
Lady Kesa
Moritoh Enda
Wataru Watanabe
Shigemori

Rokuroh
Kogenta
Critic Reviews for Gate of Hell
All Critics (10) | Top Critics (2) | Fresh (10)
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It is hard to convey in simple language the moving qualities of this lovely film, which, among other things, was the winner of the grand prize at the Cannes film festival last spring.
May 20, 2003 | Rating: 5/5 | Full Review… -
The film's delicately choreographed battles, its use of texture and color, and its grace of movement and composition mark it as one of those rare Japanese films that survive despite overinterpretation.
January 1, 2000 | Full Review… -
Teinosuke Kinugasa's glorious and vibrant masterpiece.
November 16, 2020 | Full Review… -
... despite not crammed with sword battles, possesses a continuous, intense dramatic flair.
September 30, 2020 | Rating: 4/5 | Full Review… -
Named by Martin Scorsese as one of the ten greatest color achievements in world cinema.
September 8, 2020 | Rating: 3.5/4.0 | Full Review… -
More than anything else, it is the color and photography which makes this production that of a superlative quality. Each scene is a priceless picture in itself, and the whole thing is a rare pictorial poem.
November 22, 2019 | Full Review…
Audience Reviews for Gate of Hell
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Nov 12, 2014In "Gate of Hell," a rebellion has broken out in Japan. As all hell breaks loose, a desperate plan is hatched to save the royalty by distracting them with a decoy. Kesa(Machiko Kyo), a handmaiden volunteers for the suicide mission which the rebels fall for. Luckily for her, Morito(Kazuo Hasegawa) is on hand to rescue her before battling his own brother. After order is restored and the rebellion put down, Morito is granted a boon for his bravery and loyalty. He chooses Kesa's hand in marriage which is when things get very, very complicated. Even as action packed as its first act is, "Gate of Hell" also finds the time to unload a lot of 12th century Japanese politics and history on the unsuspecting audience. That is all a little unnecessary, considering that at the heart of this historical drama is the intimate and timeless tragedy of three people and they are the only ones that matter. But the movie soon recovers itself very, very well on the way to its shattering climax. In general, this is also a movie about warriors who have trouble adjusting to peacetime, especially considering this was made not that long after the end of World War II.Walter M Super Reviewer
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Sep 27, 2013A really solid flick with a surprise twist. A great highlight from Japan's golden era.ZACHO D Super Reviewer
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Feb 03, 2012This is a real art work, directed by Teinosuke Kinugasa. It tells the story of a samurai (Kazuo Hasegawa) who tries to marry a woman (Machiko Kyō) he rescues, only to discover that she is already married to someone else. This is the first Japanese color film to be released outside Japan, and it was noticed: won the Palme d'Or grand prize award at the 1954 Cannes Film Festival, a 1955 Academy Honorary Award for "Best Foreign Language Film first released in the United States during 1954", along with the Academy Award for Best Costume Design, Color, and the 1954 New York Film Critics Circle Award for "Best Foreign Language Film". Japanese cinematography has its own early pearls, and this is the huge one of the 1953. A story which develops so smoothly that there is no other way but to follow it to the end - and enjoy in that process. I'll have to say few words about some of the scenes and the acting but I am not an expert in the social behaviour and interaction in the samurai society, and I'll just accept that such a behaviour was normal at the time. A story of love and tragic ending, as well as one of the loyalty, lust and reasoning - so complex that I'll probably suggest a second viewing to understand fully all the layers of it.Panta O Super Reviewer
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Mar 01, 2007This movie has a little sword play, but is primarily a drama. A group of rebels try to take over the government. A loyal samurai saves a woman who was sent out as a decoy disguised as the princess. He is awed by her beauty, and when they see each other later after the rebels' attempt was stopped, she thanks him for his valiant efforts. To our eyes, it doesn't look like she was too forward, but just by speaking to this man she does not know she may have said too much. It turns out she is married to a city official. The samurai falls in love and becomes obsessed. Not aware that she is taken he asks for her hand as his reward for fighting loyally. He becomes embarrassed and further obsessed when he finds out she is not available. The samurai pleads with the woman to leave her husband, but when she insists on remaining faithful, he decides he must remove the husband from the picture. This does not work out as planned though when the woman takes responsibility for having started the trouble. Though the culture is of a different place and time, there is nothing particularly foreign about the themes, relationships, or emotions portrayed here.Byron B Super Reviewer
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