Hammett (1982) - Rotten Tomatoes

Hammett (1982)

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Critic Consensus: No consensus yet.

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Movie Info

Director Wim Wenders made his American film bow with the ultra-stylish Hammett. Based on the speculative novel by Joe Gores, the story concerns real-life detective novelist Dashiell Hammett (Frederic Forest), who early in his career is involved in a complex mystery that will profoundly influence his later works. While hacking away for pulp magazines, Hammett is asked by Jimmy Ryan (Peter Boyle), his old boss at the Pinkerton agency (and the model for the writer's "Continental Op" character), to help out on a particularly difficult case. Before long, Hammett is prowling the nooks and crannies of San Francisco in search of a missing Chinese prostitute-blackmailer (Lydia Lei). Among the several delectable "inside jokes" in Hammett is the presence of Elisha Cook, who'd appeared in the 1941 film adaptation of Hammett's Maltese Falcon, as Eli the Cab Driver. Cinematographers Philip H. Lathrop and Joseph Biroc work overtime to invest Hammett with the "feel" of a classic 1940s detective yarn.
Rating:
PG
Genre:
Action & Adventure , Drama , Mystery & Suspense
Directed By:
Written By:
In Theaters:
 wide
On DVD:
Runtime:
Studio:
LionsGate Entertainment

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Cast

Peter Boyle
as Jimmy Ryan
Marilu Henner
as Kit Conger/Sue Alabama
Roy Kinnear
as English Eddie Hagedorn
Elisha Cook Jr.
as Eli, the Taxi Driver
Lydia Lei
as Crystal Ling
R.G. Armstrong
as Lt. O'Mara
Richard Bradford
as Detective Bradford
Sylvia Sidney
as Donaldina Cameron
Jack Nance
as Gary Salt
Elmer L. Kline
as Doc Fallon
Royal Dano
as Pops
Samuel Fuller
as Old Man in Pool Hall
Lloyd Kino
as Barber
Fox Harris
as News Vendor
Rose Wond
as Laundress
Liz Roberson
as Lady in Library
Alison Hong
as Young Girl
Mark Anger
as Bartender in Cookies' Bar
Patricia Kong
as Young Girl
Lisa Lu
as Donaldina's Assistant
Hank Worden
as Pool Room Attendant
Kenji Shibuya
as Bouncer
Ross Thomas
as Man in Boardroom
James Brodhead
as Man in Boardroom
James Quinn
as Guard
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Critic Reviews for Hammett

All Critics (10)

Despite compromises imposed upon German director Wim Wenders (in his American debut), it's still worth seeing this stylish film due to Forrest's performance in the lead.

Full Review… | January 28, 2013
EmanuelLevy.Com

A misguided venture, an exploration of the artist's mind that merely excavates the roots of hollow post-modernism

Full Review… | September 6, 2009
CinePassion

Wenders was justifiably upset with the studio for its cutting up of his baby and forcing on him too many reshoots and script rewrites.

Full Review… | September 17, 2007
Ozus' World Movie Reviews

Stinkaroooo

September 17, 2006
ColeSmithey.com

A truly delightful and gorgeous homage to pulp mysteries.

Full Review… | November 23, 2005
Combustible Celluloid

Audience Reviews for Hammett

½

"Hammett" is a total mess, but its flaws can be forgiven if you take into account what it went through during production. A majority of the film's problems obviously occurred during the post-production phase. There are several awkward cuts and continuity issues, and a handful of scenes appear to have been cut from the film entirely. Nevertheless, there is a lot to like about "Hammett." Frederic Forrest gives a solid performance, evoking memories of other hard-nosed detectives played by great actors like Jack Nicholson and Humphrey Bogart. As well, the supporting cast is quite good, although there are a couple of stiff line readings. The story becomes easier to follow as the film progresses and the set design is inventive, and in the end, I liked "Hammett."

Stephen Earnest
Stephen Earnest

Super Reviewer

By all accounts, "Hammett" was a troubled project. Rumors abound that producer Francis Ford Coppola re-shot much of credited director Wim Wenders' footage and, indeed, the filmmaking leans more toward Coppola's style. A favored Coppola actor (Frederic Forrest, who already had appeared in "One from the Heart," "Apocalypse Now" and "The Conversation") stars, and the sets' obvious, studio-lot falseness is more of a Coppola trait. Wenders' icy introspection is tempered, while Coppola's proven knack for the classic crime drama thrives. Really, the only moment which screams "Wenders!" is an esoteric Samuel Fuller cameo. "Hammett" is essentially a film-noir pastiche -- it's difficult to produce a contemporary piece like this which doesn't seem like just an arch exercise. The script visits the legendary Dashiell Hammett as a younger, struggling writer, and imagines him returning to the detective beat (he worked for the Pinkerton Agency prior to attaining literary fame). Recruited by an old chum (Peter Boyle) to help find an exotic prostitute missing in Chinatown, Hammett enlists his implausibly gorgeous neighbor (Marilu Henner) to play Girl Friday as he matches wits with colorful actors including Jack Nance ("Eraserhead" and other David Lynch works), David Patrick Kelly (whose strangled voice is an interesting counterpart to his iconic "Come out to play-yi-yay" taunt from "The Warriors"), Roy Kinnear and a few old-timers from film noir's heyday (the scene with Sylvia Sidney is especially good). Multiple genre cliches are affectionately trotted out -- the trenchcoats, the cigarettes, the Venetian blinds, the clattering typewriters, the alleys, the pool halls, the gambling parlor, the clattering typewriters, the shadowy stalkers, the apartment trashed in a futile search, the gun pointed through a pocket -- as Hammett pursues both the lost girl and an overdue manuscript which he has foolishly dropped. A good ending helps salvage a film which otherwise can seem like a pointless tribute. John Barry adds an appropriately swanky score, and two fantasy sequences give Wenders/Coppola a further chance to indulge themselves. "Hammett" is no masterpiece, but its "flop" reputation is unfair.

Eric Broome
Eric Broome

Super Reviewer

Fans of both Wim Wenders and Film Noir will not to miss this one.

Anthony Valletta
Anthony Valletta

Super Reviewer

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