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Good for children and adults alike. Light hearted adventure. Nice home! Clean! No real violence and vulgar language or nudity involved.
Not the best see I prefer the movie Honey we shrunk or solves
Nowhere near as good as the original but it does have its moments.
The best part of this somewhat hacky comedy sequel is the genre change. The first is an adventure film with a suburban backyard as the wilderness. This one is a fairly straight-ahead comedy-cover of an old giant monster flick with a baby playing Godzilla. Sure, the cavalier reactions, obnoxious villains, and incredibly thin story aren't great. But the effects are still super impressive, the humor is good-natured, and Moranis can make almost anything worth watching.
So I prefer honey we shrunk ourselves not this one
After the first (successful) movie surrounding shrinkage, and being heavily influenced by some classic sci-fi flicks of the 50's, it was inevitable that we'd see this. Again heavily influenced by some classic black and white sci-fi movies of the 50's, we now find the Szalinskis' with a bigger problem. Yep its basically 'Attack of the 50 Foot Baby' or another 'King Kong' clone/homage.
The plot: Well the title says it all really. Oh OK, set five years after the tiny events of the first movie, the Szalinskis' now live in Nevada. They have a new two year old son called Adam, Nick is now a teenager and Amy has gone to college. Funnily enough Wayne (Rick Moranis) is now working on a ray gun that will increase the size of objects. On a routine trip to his work space at Sterling Labs, little Adam is accidentally zapped with the ray but nothing seems to happen. Later on at home Adam is exposed to electrical waves from the microwave which appear to trigger the enlargement process. Slowly Adam begins to gradually grow bigger and bigger; Wayne and Nick must now try to reverse the process before Adam becomes a danger to himself and others.
So again the main draw here are the effects, the big breezy colourful effects. How do they stand up? Well not too well really. OK lets start positive, there are numerous sequences where it appears that they used someone in a large bodysuit. In some scenes we see live action shots Moranis with a live action giant toddler, but if you look closely this does appear to be a very good bodysuit on an obviously tall person. These shots are always from behind the large toddler so as not to give the game away but they are very effective. This showcases the innovation of the effects crew which unfortunately could only go so far. Other than the usual oversized and undersized props, which are always highly effective if sometimes a bit rubbery looking, much of this movie has to rely on bluescreen and rear projection.
And this is where the movie really falls down, the terrible terrible bluescreen/rear projection effects. The bulk of the effects are unfortunately reliant on these techniques and alas it all stands out like a sore thumb. There are clear brightness differences between the live action in the foreground and projected background. Thick black lines outline much of the effects and the colours are faded throughout. Overall the effect is just way too obvious and really takes you out of the movie. Heck even some of the large sets are bad looking, when Nick and his young female counterpart are riding in Adams oversized pocket, it just looks poor. There are some nice touches of forced perspective in a few shots but again you can see right through them. Don't get me wrong I give them an A for effort but clearly the effects team needed more money or skills, many movies came out before this and looked way better.
Other than the effects there isn't a great deal on offer here frankly. The plot sees a cliched company villain (John Shea) going after the oversized Adam for his own nefarious dastardly deeds (still not entirely sure why he gets fired by Sterling, for being mean?). This inevitably brings about the inevitable 'King Kong' homages as they use helicopters to try and tranquilise Adam. Lloyd Bridges pops up as Clifford Sterling, president of the Sterling company, a company that does...scientific type stuff. Obviously Bridges brings his own brand of spoof-esque humour which is fine but a bit childish, yeah I know its a kids flick but still. Moranis brings home his lovable nerdy Louis Tulley-esque character again; complete with more outrageous inventions which are admittedly pleasing to the eye. Nothing new really, they reverse or mirror some scenes and dialog from the first movie.
The movie ends in Vegas which generally looks horrendous from start to finish effects wise. The movie also becomes very stupid as they apparently evacuate the Las Vegas strip in around five minutes. They also manage to coordinate getting all the lights switched off down the strip in five minutes, like all of them! No one gets hurt, nothing gets damaged, and the way they placate Adam is vomit inducing. I guess its all understandable seeing as its essentially a kids movie but its still very lame, lazy and dull.
Doesn't help that the kid they use for the role of Adam is just kinda annoying, but that's just me. I think the problem here is the over use of an idea, the Kong sized threat. Add to that the fact its a giant toddler which isn't particularly interesting or threatening, and of course the fact the first movie used a less common theme which was executed way better. Overall its all adds up to a relatively fun movie with the odd decent moment. Its just fails to capture the magic of the first movie; in this case miniature things are more fun I think.
"Honey, I Blew Up The Kid" comes up with a new exciting premise for the sequel, but its sadly not as fun, inventive, or believable as its predecessor.
Fun sequel that takes a bit of a different route. It's totally a kids movie, and some of the effects are dated, but there's still some pretty impressive effects on display and it's got some cute giant-Monster-movie throwbacks.
A fun movie. The visual effects are amazing. This movie proves you *don't* need CGI in order to make your movie look amazing.
Rick Moranis returns as a completely unlikable inventor who accidentally makes his ugly 2 year old kid really really big. It stands around ... everyone gawks at it. The screenwriters have no clue what to do with the concept. Why doesn't Mrs. Kotter divorce this moron?