The LEGO Movie 2: The Second Part
Green Book
Widows
The Walking Dead
Log in with Facebook
OR
By creating an account, you agree to the Privacy Policy and the Terms and Policies, and to receive email from Rotten Tomatoes and Fandango.
Please enter your email address and we will email you a new password.
Critics Consensus: While the web of corruption in this Italian political thriller can be hard for a non-native to follow, the visuals and the intrigue are compelling and thrilling in equal measure.
Critic Consensus: While the web of corruption in this Italian political thriller can be hard for a non-native to follow, the visuals and the intrigue are compelling and thrilling in equal measure.
All Critics (49) | Top Critics (20) | Fresh (45) | Rotten (4) | DVD (4)
The film takes flight on the brilliant title performance by Tony Servillo (Gomorrah), who plays Andreotti like a mummified Alec Guinness, as if encased in layers of plaster of Paris.
We may not know the man, but we know the dance, as seen in the highly diverting and hugely controversial Il Divo, a biopic as wly as its subject.
After I saw Il Divo, I suppose I should have felt indignation. I suppose I should also have felt that way after "The Godfather." But such films present such mesmerizing figures that I simply regard them, astonished.
The enigmatic Andreotti is the perfect subject for a biopic in the European tradition.
All in all, this phenomenal film illustrates Alexis de Tocqueville's observation that "The people get the government they deserve." In both meanings of the word, Il Divo is sensational.
Il Divo joins Matteo Garrone's more expansive, more extraordinary Gomorrah -- which contains an even better performance from Servillo -- as a grim portrait of the trouble with modern Italy.
A clever telling of the story about the epic levels of corruption in Italian public life that found the suitably opaque, vampiric presence of Andreotti at the centre of it.
A fascinating history of recent Italian politics.
... not so much a savage satire as one disenchanted with the institutional corruption of politics.
... Sorrentino avoids the dreary conventions of the biopic in favor of a cheeky mix of music montages, dramatic re-enactments and hilariously deadpan takes ....
Combining clammy skin, busy hands, and a posture reminiscent of Snoopy in his vulture phase, [Servillo] (re-)creates a fascinating monster ... Given some CliffsNotes, the surrounding film might even be worthy of him.
Inventive and fun... Toni Servillo gives a truly exquisite performance, easily the finest seen on U.S. screens in 2009 thus far.
A brilliant film based on the complex and enigmatic character of Andreotti, and Italy itself. The Italian political scene during the Christian Democrats' reign was rife with clientelism, corruption and terrorism. Servillo's portrait of Andreotti is appropriately ambiguous and opaque. The primary strength of this film is Sorrentino's masterful direction, settings, framing, film composition and montage. Plus, any film that can successfully incorporate Trio's 'da da da' into a soundtrack predominately composed of classical music deserves commendation. Bravo!!!
Super Reviewer
Excellent music/sound editing and a deft portrayal by Toni Servillo that is at once comical and sad. Not being at all familiar with Andreotti's reign of terror, I was pretty confused by all the courtroom/arbitration scenes, but I gather that that's kinda what the filmmakers were going for, at least for the non-Italian audience. There are no scenes that directly implicate Andreotti's involvement with the Mafia, and that kinda gels with the film's title, The Divine, as if to say, he was that untouchable. His foes would simply disappear without him having to lift a finger.
Sorrentino delivers another imaginative, original take on a potentially dry topic. I couldn't claim to understand all the ins and outs of the Italian politics on show, or their veracity, but he pulls you through with his visual invention.
"Il Divo" is a stylish political thriller about Giulio Andreotti(Toni Servillo), the seven-time Prime Minister of Italy, starting in the late 1980's. On the surface, he does not look like a powerful man, as he is short of stature with a perpetual slouch forward.(If you want to go the megalomania route, there is a white cat.) But appearances can be deceiving as he gives away very little as far as emotions are concerned. In fact, the only time he loses control is after the murder of Aldo Moro, his moderate rival in the Christian Democrats by the Red Brigades. It should come as no surprise that Moro and Communism haunt him. All of which might explain Andreotti's migraine headaches which he has long sought relief for. He sends one medicine that showed promise to a journalist who dies shortly after. It is not the medicine nor the headaches that kill him. It is a gunshot. It is not simply intimidation that lies behind Andreotti's power, but in how it is practiced. Of course he cannot be directly or openly involved, because that could lead to a loss of power. At least, that is what is alleged.
There are no approved quotes yet for this movie.
View All