Last Embrace (1979)

TOMATOMETER

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AUDIENCE SCORE

Critic Consensus: No consensus yet.

Last Embrace Photos

Movie Info

In 1979, Jonathan Demme was still a cutting-edge director and The Last Embrace was his first effort at a completely commercial assignment. Very much in the Hitchcock vein, The Last Embrace is an intense suspense film concerning Harry Hannan (Roy Scheider), a government agent recovering from a catatonic collapse after the murder of his wife. After Harry's recovery, he is back on the job, but he can't figure out whether he is suffering from self-induced paranoia or if his former employers want to kill him. These conflicting feelings are exacerbated when he forms a connection with a nervous graduate student, Ellie Fabian (Janet Margolin), whom he discovers is living in his apartment. ~ Paul Brenner, Rovi
Rating:
R
Genre:
Action & Adventure , Mystery & Suspense
Directed By:
Written By:
In Theaters:
 wide
On DVD:
Runtime:

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Cast

Roy Scheider
as Harry Hannan
Janet Margolin
as Ellie Fabian
Sam Levene
as Sam Urdell
Marcia Rodd
as Adrian
John Glover
as Richard Peabody
Charles Napier
as Dave Quittle
Jacqueline Brookes
as Dr. Coopersmith
David Margulies
as Rabbi Drexel
Gary Goetzman
as Tour Guide
Lou Gilbert
as Rabbi Jacobs
Mandy Patinkin
as Commuter
Max Wright
as Commuter
Sandy McLeod
as Dorothy Hannan
Cynthia Scheider
as Adrian's friend
George Hillman
as Ukelele Player
Gary Gunter
as Newscaster
Burt Santos
as Man in Cantina
Bert Santos
as Men in Cantina
Joe Spinell
as Man in cantina
Jim McBride
as Man in Cantina
Jonathan Demme
as Man On Train
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Critic Reviews for Last Embrace

All Critics (6)

No excerpt available.

Full Review… | March 25, 2009
Variety
Top Critic

No excerpt available.

Full Review… | June 23, 2006
Time Out
Top Critic

No excerpt available.

Full Review… | May 8, 2005
New York Times
Top Critic

Last Embrace is a minor curio from the great Jonathan Demme, but Kino's stunning 1080p transfer should more than satisfy completists of the director.

Full Review… | October 20, 2014
Slant Magazine

Demme puts nothing of himself into these paranoid shenanigans -- the movie is all too transparently his attempt to do something bankable.

Full Review… | April 8, 2007
eFilmCritic.com

No excerpt available.

October 14, 2005

Audience Reviews for Last Embrace

½

An ambitious whodunit that loses steam half way through- due to both a heavy-handed plot and an almost abandonment of care for camerawork. It feels like Demme's wannabe-Hitchcock, but with hammy pulp-style acting. It's not bad though, it has some amusing moments and some really dynamic camera maneuvers in the beginning.

Jenna Ipcar
Jenna Ipcar
½

"Last Embrace" is an incompetently executed, wildly incoherent and overly melodramatic neo-noir thriller that's one of the dullest, most tepidly inspired pieces of cinema I've ever watched. Aside from Roy Scheider, whose performance is so over-the-top that it's almost admirable, the acting is laughably poor from the entire cast, and everything from the pacing to the direction to the lighting is painfully inept. How Jonathan Demme, Tak Fujimoto, Barry Malkin and Miklós Rózsa could get together and make sure a godawful hunk of soap opera-ish garbage is beyond me. It's an experience I hope never to endure again.

Stephen Earnest
Stephen Earnest

Super Reviewer

This is a splendid little Hitchcockian thriller from Jonathan Demme. Roy Scheider plays Harry Hannan, a government agent recovering from a nervous breakdown after losing his wife in a botched attempt on his life. Fearful of further assassination attempts after being labelled a dangerous liability by his boss, Harry's nerves are shredded even further when he receives a mysterious death threat in Biblical Hebrew. Although certain characters (guilt-ridden, delicate hero - Vertigo), situations (shower scene - Psycho) and settings (bell tower - Vertigo again) are unmistakably Hitchcockian - and the movie even finds time to reference first generation Hitchcock clones like Henry Hathaway's Niagara - Demme's film is always a cut above mere pastiche because he makes little or no attempt to imitate the master's style. In place of Hitch's elegant backdrops and rigidly storyboarded perfectionism, Demme substitutes gritty locations, handheld camerawork and spontaneity. Scheider is superb as the haunted hero and Miklos Rozsa's score is simply beautiful.

Stephen M
Stephen M

Super Reviewer

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