Critic Consensus: An art film to the max, Heartbeats intriguing and appealing premise is sometimes buried by director Xavier Dolan's filmmaking flourishes.
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Critic Reviews for Heartbeats
It can seem as if style is all in Dolan's films, but as well as revelling in its pleasures, they also dissect its limitations - sometimes without anaesthetic.
Ultimately what makes "Heartbeats" tick is that it's less about love objects and more about friends who are stuck with each other, for better or worse.
Spends 100 minutes dispensing painful examples of how infatuation turns people into idiots.
There are moments of heartbreaking beauty in it - although Dolan is still a work in progress. He'll get better - he's immensely talented - but he's not quite there yet.
Not too deep but oh so pretty, "Heartbeats" presents a hyper-stylized look at a love triangle, a sort of "Jules and Jim" for millennials.
Audience Reviews for Heartbeats
A spectacular film that left me astonished. Xavier Dolan is so young but already so incredibly talented and full of ideas, and he proves it once again, starring, directing and producing this fascinating work about passion, obsession and the idealized nature of unrequited love.
In "Heartbeats," Nicolas(Niels Schneider), a friend of a friend, is in Montreal after completing a temp job on an oil platform. Considering how handsome he is, it is no wonder that both Marie(Monia Chokri) and Francis(Xavier Dolan, who also writes and directs) are attracted to him. That's especially true after he formally invites them both to this place to watch a movie. After which, they all sleep in the same bed together. As dull and flat as "Heartbeats" is, the movie does make one valid point when Francis says that some vintage nostalgia should be done away with. Applying that to the French New Wave, I personally think it is alright to venerate those films, but not imitate them which is what is going on here with Dolan adding little of interest or personality of his own. The interviews serve no purpose except to test the zoom function on the camera and might have worked if they had all been about the same person, which would have complemented the rest of the film nicely. In fact, the movie turns completely on a single conceit that while it makes perfect sense could be read in two ways, both equally cruel. Instead, I would have preferred a positive message about how adults need to share, too.
Delightful Canadian drama with a French taste directed by Xavier Dolan. It is a story about romantic obsession of two friends who both fall in love with the same man. It premiered in the Un Certain Regard section of the 2010 Cannes Film Festival and I am really sorry I didn't had a chance to see it earlier! There is lots of movies which think that they are dealing with obsession mixing up that subject with just an ordinary crush. By contrast, Xavier Dolan's movie gives us a feel of almost aching because of the unrequited desire. I liked his light-footed style of directing which was full of life, and that life brings joy when they are together and pain when a fierce erotic energy has to evaporate before reaching the object because it was one sided! Inclusion of the recurring set of interviews with love scorned young people brings us to reality today's inclusion of heaps of sarcasm (communicated through tongue-clicks, snide smirks and eye-rolls) in "modern relationships"... Youthful and enjoyable if you don't mind a little bit of pain .
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