London Boulevard (2011)
Critic Consensus: In spite of its spotless pedigree and a strong sense of visual style, London Boulevard stumbles over its frenetic pace and crowded, clichéd plot.
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Critic Reviews for London Boulevard
A stylish if familiar tale of a man hopelessly entangled in his past.
A movie is more than dialogue and a soundtrack. And direction is a lot more than making sure all your favorite parts of your own script make it to the screen intact.
In trying to take a bite out of crime and another out of fame, [Monahan has] ended up with more than he can chew for his first time in the director's chair.
Monahan's trademark tart dialogue is as strong as ever, and Farrell and Winstone make for a formidable pair of opponents.
There is too much to be absorbed in too little time and not enough tissue connecting abbreviated, sometimes unnecessary subplots.
Audience Reviews for London Boulevard
Geez, not only is this movie incomprehensible, but it's not worth comprehending. It is boring me out of my skull at 48 minutes in. But then it's Colin Farrell AND Keira Knightley -- with the affected "e" before the "y." So, in fact, only an idiot would rent this -- which must be me.
I genuinly did not understand this movie! It was the most confused and poorly written script that just lacked everything! You have some of the best names in the business and the reason as to why they would participate in such a poorly written and directed movie is beyond me! Wouldnt waste my time watching!
Oscar winning screenwriter William Monahan (The Departed) decides to take a spin in the director's chair, and the result is London Boulevard, a slick and stylish British crime thriller (with a fair amount of humor) about a recently paroled convict named Mitchel who tries to go straight. The only honest living he can find for himself is working as a bodyguard and handyman for a recluaive actress and painter named Charlotte...whom he also begins a romance with. Things start off well enough for him, but the pressures of both his wild friend Billy and the offers of a top mob figure named Gant make it really hard for Mitchel to settle down. Taking cues from a few other directors, namely Scorsese, Monahan delivers up a fun and entertaining little film filled with common elements from criem cinema, such as witty banter, cool cinematography and editing, and some fantastic needle drops. It's a fun and well meaning film, just not all that original. As a first time director, he does well enough I suppose, but overall there's nothing all that distinguishable about this film. The cast are fine, and they give some decent performances, though there's not much chemistry between Farrell and Knightley. David Thewlis steals the show as Charlotte's handler Jordan, and he's probably the best part of the film. Clearly he should have been the focus. Ray Winstone of course is awesome and menacing, and he helps the film, but it's too bad the script is kinda muddled and doesn't add up to much. I'm a sucker for cool music and camera work and that sort of thing, and even though that stuff works decently here, it's not enough for me to bump this up a notch, even though the younger less cinematically educated me would have given this a really high score. All in all, an okay film, but not what it could be.
London Boulevard Quotes
|Dr. Raju:||i would like to see your sister mitchel with your permission|
|Dr. Raju:||I would like to see your sister Mitchell with your permission.|
|Mitchel:||Sanjay, it's a free country !|
|Mitchel:||Sanjay, it's a free country!|
|Mitchel:||You don't want me to be a gangster. Nobody want's me to be a gangster, 'cause I could not stop if I started.|
|Mitchel:||You'd be the first to die.|
|Charlotte:||If I fell in love with you, what would you do about it?|