The LEGO Movie 2: The Second Part
The Walking Dead
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All Critics (16)
| Top Critics (2)
| Fresh (12)
| Rotten (4)
| DVD (1)
[An] exquisite, impressionistic, largely autobiographical reverie ...
Terence Davies' most underrated work: a cinematic hymn to the echoes and sensations of childhood - a paradise gained and lost.
Little more than a glorified scrapbook.
There is no story here.
Davies and his brilliant cinematographer, Michael Coulter, have created images to be savored in the dark, portraits that make dramatic use of light and shadow.
There's no traditional story to speak of here, no dramatic conflict to send the characters off on a goal or motivating action to set a series of events in motion. Rather, Davies offers cinematic snapshots capturing privileged moments...
[T]hough his work is always suffused with melancholy, the predominate feeling of The Long Day Closes is one of deep, enveloping love for the music, movies, and comforts of his youth.
Davies keeps looking back until it hurts, and that's where his art begins.
Though not as fully realized and touching as the original masterpiece of Distant Voices, the sequel is very much worth seeing.
The Long Day Closes posits its pubescent protagonist as a tiny camera absorbing and transforming the reality all around him.
An inventive and lovely celebration of what director Terence Davies calls " the poetry of the ordinary."
This film is a love letter to the cinema.
a lyrical ode to a boy's love for cinema, incorporating songs from the 50s and dialogue from classic hollywood films. it's a unique approach, rendering an impression of memories rather than a straight narrative structure. very well done
Wasn't that big of a fan of Distant Voices, Still Lives but I liked this look at Bud. Interesting issues of growing up gay in an intolerant time.
If you see poetry as a way of looking at life- a particular awareness or appreciation perhaps- then this film is about as close as you can get to a representation of poetry on film (along with Davies earlier- and quite similar biographical film- 'Distant Voices, Still Lives').
Memory sometimes reduces things into metonymy, and this could be used to explain the beautiful simplicity of the visuals- usually emphasising a certain aspect of living- time passing, light hitting a surface etc... bringing it out of obscurity and making the viewer focus singularly on that aspect... which is why this film could be labelled transcendental. Things that pass, or are taken for granted in everyday life transcend themselves in this film.
If you have enjoyed this film I would strongly recommend that you see 'Distant Voices, Still Lives' as well as the great works of directors such as Robert Bresson and Andrei Tarkovsky- examples of other directors whose gaze turns life into poetry.
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A follow up to the excellent 'Distant Voices, Still Lives' and, for me, an even better film.
I haven't seen either film for many years but both films left a profound emotional effect on me. The Long Day Closes (as with Distant Voices) has quite a loose narrative structure and has no plot as such. It's more a kind of meditation on memory, especially of childhood and working-class family life and it is quite heavy with nostalgia. In some sequences there is very little happening, becoming more abstract. But that's the beauty of it - it's deeply cinematic and it draws you into it's spell and I find it deeply moving.
Terence Davies has only made a handful of films, I have only seen three and they are magnificent. The other film of his I have seen, The House of Mirth, he gave us a performance by Gillian Anderson that was so incredibly moving it made me realise how much she has been wasted all the years she was tied to playing Dana Skully in The X Files!
I just wish Davies would make more films!
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