McCabe & Mrs. Miller (1971)



Critic Consensus: McCabe & Mrs. Miller offers revisionist Western fans a landmark early addition to the genre while marking an early apogee for director Robert Altman.

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In a small American frontier village, a stranger named McCabe builds a brothel with the help of experienced madame Mrs. Miller. The town soon prospers, and success brings the jealous -- and potentially deadly -- attentions of a wealthy mining company in this classic, idiosyncratic reworking of the Western genre.
Classics , Drama , Western
Directed By:
Written By:
In Theaters:
Warner Bros. Pictures

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Warren Beatty
as John McCabe
Julie Christie
as Constance Miller
John Schuck
as Smalley
Corey John Fischer
as Mr. Elliott
Shelley Duvall
as Ida Coyle
Antony Holland
as Hollander
Thomas Hill
as Archer
Don Francks
as Buffalo
Rodney Gage
as Sumner Washington
Lili Francks
as Mrs. Washington
Hugh Millais
as Dog Butler
Linda Sorenson
as Blanche
Janet Wright
as Eunice
Maysie Hoy
as Maisie
Jeremy Newsom
as Jeremy Berg
Wayne Robson
as Bartender
Wayne Grace
as Bartender
Jack Riley
as Riley Quinn
Robert Fortier
as Town Drunk
Wesley Taylor
as Shorty Dunn
Anne Cameron
as Mrs. Dunn
Jeremy Newson
as Jeremy Berg
Graeme Campbell
as Bill Cubbs
Joe Clarke
as Joe Shortreed
Harry Frazier
as Andy Anderson
Edwin Collier
as Gilchrist
Terence Kelly
as Quigley
Joan Maguire
as Town Resident
Harvey Lowe
as Town Resident
Eric Schneider
as Town Resident
Milos Zatovic
as Town Resident
Claudine Melgrave
as Town Resident
Derek Deurvorst
as Town Resident
Alex Diakun
as Town Resident
Gordon Robertson
as Town Resident
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Critic Reviews for McCabe & Mrs. Miller

All Critics (44) | Top Critics (7)

One of the best of Altman's early movies, using classic themes -- the ill-fated love of gambler and whore, the gunman who dies by the gun, the contest between little man and big business -- to produce a non-heroic Western.

Full Review… | August 9, 2016
Time Out
Top Critic

A period story about a small northwest mountain village where stars Warren Beatty and Julie Christie run the bordello, the production suffers from overlength; also a serious effort at moody photography which backfires into pretentiousness.

Full Review… | September 4, 2007
Top Critic

Still Robert Altman's best moment, this 1971 antiwestern murmurs softly of love, death, and capitalism.

Full Review… | September 4, 2007
Chicago Reader
Top Critic

A pioneering film, in both senses of the word, and one of the key works in the American cinema of the 1970s.

June 23, 2006
Time Out
Top Critic

I don't automatically object to contemporary allusions, but I prefer to find them myself, and McCabe and Mrs. Miller is so busy pointing them out to us that the effect is to undercut its narrative drive and the dignity of its fiction.

Full Review… | May 20, 2003
New York Times
Top Critic

Robert Altman has made a dozen films that can be called great in one way or another, but one of them is perfect, and that one is McCabe & Mrs. Miller.

Full Review… | December 31, 1999
Chicago Sun-Times
Top Critic

Audience Reviews for McCabe & Mrs. Miller

A poetic, engrossing tale of Darwinism accelerated by pioneer-era capitalism and firearms, as well as a fascinating insight on the industry of prostitution and the fostering of the American Dream. This movie is yumyumyumyum.

Kevin Cookman
Kevin Cookman

Super Reviewer

Set during the turn of the century in the Pacific Northwest in the small mining town of Presbyterian CHurch, this is the story of an enigmatic gambler and rumored gunfighter named John McCabe who shows up in town with the plan of creating civic progress and economic gain by running a brothel/gambling parlor/bath house. He gets help from an experienced and classy madame and opium addict named Mrs. Constance Miller. Their business partnership proves quite successful, and all seems well until business rivals arrive to pressure McCabe into selling out to them, something he has no interest in doing. Robert Atman was an interesting filmmaker, and this is likewise a very interesting project. Being made in the early 1970s, it is one of many revisionist westerns from the era, a nie group of films that sought to demythologize the Old West, eschew genre conventions, and inject contemporary sensibilities and beliefs into things. This is some really good stuff, and it's definitely a stand out little film in the genre. It's moody, atmospheric, and fits Altman's naturalistic and loose style quite nicely. One of its few faults is that it is a tad too slow and meandering at first, but once things get going, the results are pretty fantastic. It was filmed on location in Vancouver, and Vilmos Szigmond's cintmatography is absolutely brilliant and stunning. He gave the film a unique old timey look by fogging the lenses and using various filters while shooting instead of doing it all in post, and the result is a film that really makes you feel the cold, dirt, grit, and environment. It's a wonderfully realistic portrait that he and Altman paint. The tunes are handled by Leonard Cohen, and they too fit perfectly. I've always felt that his music works best when listened to on chilly fall and winter days, and, since part of the film does take place during winter, I was not disappointed. Besides being a little too loose and slow, I could have used a bit more development and backstory for the characters. Julie Christie is really good though, and seeing Warren Beatty with a beard is awesome, especially since his performance is also pretty strong. I'm not as familiar with the show Deadwood as I should be, but I can definitely see this film being a strong influence. All in all, this is really good. I don't think it's absolutely perfect like some do, but at the same time, I get the sense that this is one of those films that probably needs multiple viewings for it to be fully appreciated, and that it probably does get better with each watch. As it stand for me though, I give this one a strong B+.

Chris Weber
Chris Weber

Super Reviewer

Altman's take on the "western" genre is a classic. With great performances and a soundtrack featuring the songs of Leonard Cohen.

Graham Jones
Graham Jones

Super Reviewer

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