Mary Poppins Returns
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All Critics (16)
| Top Critics (11)
| Fresh (6)
| Rotten (10)
So heavy-handed that only the youngest audiences won't feel talked down to. Instead, they're likely to be freaked out.
The story's serviceable, if unexciting, with themes of child-parent love and the importance of peaceful interactions.
Distracting flashes of crude humor dissipate any connection to the characters and odd encounters derail the momentum. And the climax muddles the film's eco message.
This generally involving film is gorgeous to watch thanks to its 500,000 hand-painted frames of vibrantly colored, enormously artistic animation.
The toke-tastic visuals are an endless delight, especially the Migoo themselves, who look like the offspring of McDonald's Grimace and Calvin and Hobbes' killer monster snow goons.
What kind of kid will be able to appreciate this serious plot, which involves investors pulling out of a land-development deal and a scary, knife-wielding witch?
...it is not the words nor the acting that matter here as much as the beautiful visuals which wear the influence of Japanese master Hayao Miyazaki on its sleeve.
The influence of Japanese animation master Hayao Miyazaki is obvious here, and it's a comparison that doesn't flatter French filmmaker Jacques-Remy Girerd's movie.
It's lovely, truly, but so heavy-handed and slipshod that it's probably best enjoyed with the sound off -- an option they're not likely to offer at the movie theater.
Magical realism adventure promotes family, environmentalism.
A cliché-riddled kid's film whose sole inventive hook is its hand-painted, Cray-Pas-by-way-of-water-colors animation style.
Far too childish to intrigue adults yet too slow and dull for kids.
There are no featured reviews for Mia et le Migou (Mia and the Migoo) at this time.
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