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Critics Consensus: Wise, compassionate, and beautifully acted, Middle of Nowhere offers an early testament to writer-director Ava DuVernay's startling talent.
Critic Consensus: Wise, compassionate, and beautifully acted, Middle of Nowhere offers an early testament to writer-director Ava DuVernay's startling talent.
All Critics (48) | Top Critics (22) | Fresh (42) | Rotten (6) | DVD (1)
A film remarkably true to life's haphazard rhythms.
Made by a black American woman, about a black American woman, it's a study of a culture where the matriarchs are strong by necessity and trapped by circumstance - adrift in the middle of nowhere.
[A] hushed, tenderly observant drama about a young woman trying to do right by herself and her marriage while her husband is in prison.
This is a tough-minded story of change that happens in almost imperceptibly tiny increments - as true growth so often does in reality.
This film is about a particular African-American experience, true, but it's also about the human experience. It will haunt you. It should.
A sluggish enterprise, not measured or languorous or full of detail, but plodding, with scenes that run too long and others that are unnecessary.
DuVernay, in just her second feature film, exhibits the skills of a master filmmaker.
Before directing Selma, Ava Duverny made Middle of Nowhere (2012), a small story about a woman who put her aspirations on hold when her husband goes to prison.
I should love this movie, but something about it kept me at arm's length.
Burrows deep into a lower working-class, primarily female African-American milieu and culture rarely presented onscreen with any sort of realism or understanding.
This isn't about dramatic revelations and charge confrontations. DuVernay, who also wrote the original screenplay, has made a film about those moments lived between the decisions...
DuVernay uses this situation as a light but poignant metaphor for Ruby's personal growth, as she finds a way to escape her own kind of prison.
A woman suspends her life to support her imprisoned husband. There is without a doubt something profound, personal, and authentic about this film, which is to the credit of Emayatzy Corinealdi and writer/director Ava DuVernay, but the plot is plodding and slowly rendered. it's hard to make an exciting film about waiting, so part of the film's problem is the story it's trying to tell. Nevertheless, the film has important things to say about gender roles, race relations, and personal growth. Overall, Middle of Nowhere tries to rend the most out of its actors and story, but the film's pace ultimately dooms it.
Super Reviewer
"Middle of Nowhere" starts with Ruby(Emayatzy Corinealdi), a nurse, visiting her husband Derek(Omari Hardwick) at the prison in Victorville. While he is pessimistic about his chances, she reminds him that with good behavior he can get out in five years. Four and half years later, her hope has not diminished a bit, as she still makes regular visits to the prison, on top of her hospital rounds and babysitting for her sister Rosie(Edwina Findley), with their disapproving mother(Lorraine Toussaint) looking on. And then Ruby gets news that Derek may be getting out sooner than even she had thought possible... "Middle of Nowhere" is a well-acted, modest and understated movie. So much so, that even the grandstanding comes off as subtle. As the movie drops pieces of information throughout, some may find Ruby more than a little naive when in fact she had been dropped into an unfamiliar world where so many women have to regularly endure the emotional and economic hardships that she now lives with. In any case, how could you not like a character who likes foreign films?(In this case, "Ali: Fear Eats the Soul.") And, yes, people do ride the bus in Los Angeles.
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