The LEGO Movie 2: The Second Part
The Walking Dead
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Carefully balanced between the dark and the dreamy, Mister Foe is a charged coming-of-age story with whimsy and bite.
All Critics (62)
| Top Critics (17)
| Fresh (45)
| Rotten (17)
| DVD (5)
Bell was a decent kid actor and a terrific dancer in Billy Elliot, but he's grown into a really first-rate actor.
[A] prettily photographed but relationally science-fictional coming-of-age blather.
It's a coming of age you can believe in.
While the film playfully telegraphs its inspirations, Mister Foe never persuasively comes together as a dark fable about an adolescent misfit stuck in loss.
Although it's nice to see Mackenzie find uplift in the erotic, what helps drive Mister Foe is how deftly he turns chasm into intimacy between Bell and Myles, both of whom give sharply observed, charismatic portrayals.
Jamie Bell gives a watchable performance in this self-conscious, coming-of-age drama, though the film's overall effect is best described as David Lynch lite.
Hallam Foe does quite a few rather nasty things, but Mr. Bell's engaging and empathetic performance makes him a character we can't stop caring about.
[Mister Foe] creates a gently, but deeply, moral atmosphere.
it's ultimately impossible to rise above the overly melodramatic script. The world doesn't really need another wicked stepmother, after all.
Grumpy Glaswegians going at it are once again the focus of David ("Young Adam") Mackenzie's bleak and dreary -- but not wholly uninteresting -- drama.
Another successful and intriguing entry in Mackenzie's growing oeuvre.
The final installment of Mackenzie's 'sex trilogy' is so strenuously edgy it's tiresome.
A teenage stalker with enough Oedipal issues to make Freud puke in his soup pursues his boss, a sweet but disturbed hotel manager.
What this film lacks most is focus. At the beginning the plot tends toward a thriller/mystery vis-a-vis the possible murder of Hallam's mother, but the most unbelievable circumstances (fucking his step-mother in his tree house) push Hallam to Edinburgh where we meet Sophia Myles's character, Kate. Myles is a beautiful actress, and as Kate she walks with confidence and wherewithal. With hobbies, a fine job, a sense of compassion, and a sociable disposition, Kate seems like she has it all together. Yes, she's fucking her married boss, and yes, she does say, "I like creepy guys," but when Hallam's stalking, amateur spy behavior is revealed, her reaction defies all believability. I can imagine the film becoming a believable story about lost people who find each other and accept each other's fucked-up-ness, but with Myles as Kate and the dead mother plot stopping by every now and then as though it's checking up on how the film is progressing, the film becomes a muddled mess that has its sexy, alluring moments but ultimately sinks into a depravity that we can't follow without suspending every disbelieving bone in our bodies.
Overall, bad casting and worse writing keep this film from being anything worth watching.
Awkward and engrossing movie that overcomes its unlikable lead by making him confused and relatable. It's a very difficult performance Bell has to pull off in this movie. He must present himself as a mentally fractured peeping tom whilst all the while leading us along a romantic path. The performances and characterizations are key here. Forlani isn't exactly the evil stepmother from many movies, but she is able to carry a certain stench of menace. Paired with Bell's confusion and creepiness, it adds up to more of an emotional mystery than a murder one. In many ways it's a wonderful coming of age tale, that delicately approaches the mind of a teenager. It bridges the gaps between anger, madness, and danger. At times it tries to be a bit too hip, with it's constant twangy soundtrack, but at least it works nicely with the dull but mesmerizing cinematography.
This unusual film was a fantastic journey with the awkward lead character, Hallem Foe, as he pursued his voyeuristic impulses. No spoiler here. The acting was convincing despite the fantastic episodes. Cleverly crafted to form an intense yet warm & funny original work.
"Who is Hallam Foe?"
Hallam's talent for spying on people reveals his darkest fears-and his most peculiar desires. Driven to expose the true cause of his mother's death, he instead finds himself searching the rooftops of the city for love.
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