Multiplicity - Movie Reviews - Rotten Tomatoes

Multiplicity Reviews

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March 29, 2011
Some sexy stuff in dated, but entertaining '80s comedy.
Full Review | Original Score: 3/5
October 9, 2005
A desperately unfunny comedy lethargically directed by Harold Ramis, and boringly acted by Michael Keaton.
| Original Score: 1/5
December 28, 2004
Try not to double or triple-up laughing. (published 7-19-96)
Full ReviewRead More | Original Score: A-
July 1, 2004
It's a showcase for Keaton.
Full Review | Original Score: 3/4
June 1, 2003
Whatever you know about cloning, leave at the theater door. Whatever you know about the modern housewife, shuck that, too. The feminism of "Multiplicity" is barely circa 1959.
Full Review| Original Score: 3/5
April 4, 2003
More is not better, in this case.
| Original Score: 1/5
February 24, 2003
Michael Keaton is very funny, but the comedy itself isn't worth his efforts.
| Original Score: 2/5
February 23, 2003
Great premise, great work by Keaton, but the script lets them down.
Read More | Original Score: 3/5
July 11, 2001
It could have been a good story, but it turns out to be thin, despite good acting performances by Keaton and MacDowell.
Full Review | Original Score: 2/4
February 14, 2001
More Kafkaesque than comedic, more fascinating to watch than out-and-out funny.
January 1, 2000
Simply a laugh-out-loud comedy about clones running around, and the mayhem which ensues.
Full Review | Original Score: 7/10
January 1, 2000
Although Multiplicity is funny, it's not as heartwarming or inventive as Groundhog Day.
Full Review | Original Score: 2.5/4
January 1, 2000
Multiplicity exists because it's now possible for an actor to appear on screen with himself and not by means of anything so quaint as double exposure.
January 1, 2000
Groundhog Day had a certain sweetness and even a sly philosophical depth, but Multiplicity is more of a ground-level comedy, in which we can usually anticipate the problems for Doug and his clones.
Full Review | Original Score: 2.5/4
January 1, 2000
Keaton does a dandy job by his four Dougs, but the problem is a script that assumes a physical comedian can do it all, including twisting characters to make them fit the plot line. It doesn't work.
January 1, 2000
Ramis and his quartet of writers, including City Slickers shtick factories of Lowell Ganz & Babaloo Mandel, can't find much to do with their simple premise.
January 1, 2000
I recommend this to anyone who wants to see a solipsistic comedy about the darker side of marriage.
January 1, 2000
A showcase tailor-made for Keaton and his maniacally comedic persona(e).
January 1, 2000
A buoyant domestic farce.
January 1, 2000
You expect better from director Harold Ramis, who made much more with much less in Groundhog Day.
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