The LEGO Movie 2: The Second Part
Green Book
Widows
The Walking Dead
Log in with Facebook
OR
By creating an account, you agree to the Privacy Policy and the Terms and Policies, and to receive email from Rotten Tomatoes and Fandango.
Please enter your email address and we will email you a new password.
We want to hear what you have to say but need to verify your account. Just leave us a message here and we will work on getting you verified.
Please reference “Error Code 2121” when contacting customer service.
Critics Consensus: Mustang delivers a bracing -- and thoroughly timely -- message whose power is further bolstered by the efforts of a stellar ensemble cast.
Critic Consensus: Mustang delivers a bracing -- and thoroughly timely -- message whose power is further bolstered by the efforts of a stellar ensemble cast.
All Critics (144) | Top Critics (31) | Fresh (140) | Rotten (4)
There are so many remarkable things about this wonderful movie.
Erguven is wisely determined to avoid any hint of melodrama.
Raw, funny and incredibly moving.
The story isn't particularly original, but Mustang's achievement is to criticize a society that sexualizes everything women do while still celebrating the girls' sexuality.
Ergüven isn't peddling blind optimism so much as a realism animated by the belief that freedom-far from being inevitable-must be fought for. That it will be fought for.
That there are five sisters allows Erguven to explore the scenario's several possible outcomes, be it happy ending or tragedy or the bittersweet fates in between.
It's an intriguing and, despite its subject, a positive and even at times light-hearted story of female empowerment from a talented new director.
In a cinematic year filled with excellent stories about young women growing up...Mustang is the best coming-of-age film in 2015.
With a film that uses its opening scenes to show what a force of nature these young girls can be, it's Erugven who demonstrates she's one to be reckoned with herself.
The heroines and villains of Mustang are occasionally black and white, but it's an assured directorial debut that uses its autobiographical elements not to engage in navel-gazing, but to train that gaze on a repressive society.
It's a story both modern and timeless, an aching ode to freedom and resilience, and a stunning debut.
Employing a palette of simple yet elegant binary motifs - day/night, light/dark - Ergüven constructs her own powerful and distinct emotional language through a confident and captivating formal style.
A stunning, perfect film, filled with beautifully natural performances, poetic photography, a haunting score, an insight into life in rural Turkey, an exploration of feminity, adolescence, sisterhood, patriarchy, oppression, life, the universe and everything. A melancholic joy.
Super Reviewer
A superb telling of modern life in Turkey for the daughters of a family growing up as they fight to stop the traditionalist values, such as arranged marriages. Superbly acted and definitely something that will make you think long and hard about what freedom in life really is.
At first, it seems like a Turkish Virgin Suicides with a social commentary on the cultural oppression of women in that country, but soon it starts to become less and less subtle as the story progresses to the point of even including an unnecessary element of sexual abuse.
Director's Deniz Gamze Ergüven's harsh critique of an oppressive patriarchal society is straightforward, but it isn't subtle. The saga descends from the carefree optimism on the beach into the dark corruption of a community prone to gender bias. The essential "house arrest" of these 5 teen girls approaches the totalitarian conditions of a jail. The nightmare that is their homelife is clearly evident. Their subjugation is infuriating. As Westerners we are forced into a judgmental corner and are predictably outraged. The cultural portrait is nicely presented. This makes the decision to further stack the narrative by also making the uncle sexually abusive, a bit ham-handed. The focus isn't just about the tyranny of a culture unjust to women anymore. Now we're dealing with sexual assault. The approach is unnecessarily embellished. We feel the forcible pull of a screenplay, co-written by the director and Alice Winocour, overstating its case. However as the debut feature from an up-and-coming filmmaker, there's still a lot to admire here. fasfilmreviews.com
View All Quotes
View All