My Neighbors the Yamadas (1999)

If the world-renowned Hayao Miyazaki could be seen as the Walt Disney of the Studio Ghibli cannon, then the equally talented Isao Takahata can be viewed as the mad scientist. As much as I love Miyazaki's wonderful fantasy-adventures, I always appreciated Takahata bravery in experimenting with the capabilities of the animated medium. Although not all of his films are great ('Grave of the Fireflies' is a powerful anti-war film, 'Only Yesterday' is a very underrated slice-of-life flick, and 'Pom Poko' was an admirable but very flawed effort), Takahata's films always make themselves immediately distinguishable from other films in the Studio Ghibli cannon. Based on the popular Japanese comic strip, 'My Neighbor the Yamadas' is an anime family comedy that has a very unusual look from the usual Ghibli entries. Instead of the traditional anime style, the animation is a watercolor comic strip style drawn completely from digital technology (making this the first Ghibli film to be painted completely from computers). Not only does the animation give this a different feel, but the film also does not adhere to a traditional plot structure. Instead, it is a series of vignettes that account the daily lives of the Yamada family. Such sketches cover issues such as losing a child in a mall, the relationship between father and son, the wisdom of age, and getting one's first girlfriend. The film's biggest strength is in painting a very believable picture of family life that crosses cultural borders and is accompanied by a suitable amount of charming humor. The overarching theme of the film is that despite their flaws, the family still loves each other and the parent's only posses a desire for what is best for their children. The lack of overarching plot will certainly make this an acquired taste for even the most devoted Studio Ghibli fanatics (certainly not recommended for newcomers to the Ghibli catalogue), but 'My Neighbor the Yamadas' is a unique and touchingly honest picture of family life.

This reminds me of the "funny pages" from the newspaper, 3 comic panels which are suppose to elicit laughter, but in fact leaves you thinking, 'who the fuck thinks this is funny?'. That is exactly what this film was like a much of short panels that I assume were suppose to elicit some laughter, I don't know if it was a cultural or if it just wasn't interesting enough, but I only had twenty minutes left until the end of the film and I just turned it off. I just didn't care. Plus in the beginning it felt really preachy and "quote-y". blah.....