Night Across the Street2013
Night Across the Street (2013)
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Critic Reviews for Night Across the Street
Elegiac, witty and deeply reflective, "Night Across the Street" strikes a mature and complex tone.
Raúl Ruiz's elegiac, enigmatic and mischievous final film.
Unusually suffused with the contrast between experience and memory, reality and surreality.
These are the dreams of a man stepping out of this world, perhaps never more lucid and full of life.
Audience Reviews for Night Across the Street
In "Night Across the Street," Celso(Sergio Hernandez) may like to play marbles but that does not mean at his advanced age, that he is losing his. So, he attends classes where he befriends Giono(Christian Vadim), a famed writer from abroad, who he tells the story of his childhood where he idolized Beethoven(Sergio Schmied) to such a point that he got in trouble for it. Celso also talks about the man who is coming to kill him in the present. As a semi-autobiographical film, "Night Across the Street" confirms what many of us what have already suspected, namely that Raul Ruiz was one strange kid, who would one day grow up to make the kind of unique movies he eventually would.(One could also make the case that any kid that precocious would have a hard time realistically surviving puberty but whatever.) And with his last film, he announces in style of his intention on going out on his terms to create one of his more memorably weird films.
An old man recalls his childhood, when he used to carry on conversations with Long John Silver and Ludwig van Beethoven, as he waits in his boarding home for the man who will kill him to arrive. This defiantly absurd meditation on death gains contextual poignancy due to the fact that writer/director Raul Ruiz was gravely ill while making it and died before it could be released.
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