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No uses its history-driven storyline to offer a bit of smart, darkly funny perspective on modern democracy and human nature.
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All Critics (129) | Top Critics (38) | DVD (1)
Gripping and suspenseful even though the ending is already known. Jan 1, 2014 | Rating: 3.5/4
Gripping and suspenseful even though the ending is already known.
Rene Rodriguez
The best movie ever made about Chilean plebiscites, No thoroughly deserves its Oscar nomination for Best Foreign Film. Jan 1, 2014 | Full Review…
The best movie ever made about Chilean plebiscites, No thoroughly deserves its Oscar nomination for Best Foreign Film.
Anthony Lane
"No" is a picture that perches precariously on the cusp of a paradox. Mar 28, 2013 | Rating: 3/4 | Full Review…
"No" is a picture that perches precariously on the cusp of a paradox.
Soren Andersen
"No" is filmmaking of the first order. Mar 28, 2013 | Rating: 3.5/4 | Full Review…
"No" is filmmaking of the first order.
Calvin Wilson
A cunning and richly enjoyable combination of high-stakes drama and media satire from Chilean director Pablo Larrain. Mar 15, 2013 | Rating: 4/4 | Full Review…
A cunning and richly enjoyable combination of high-stakes drama and media satire from Chilean director Pablo Larrain.
Liam Lacey
A mesmerizing, realistic and often hilarious look at the politics of power and the power of ideas ... Mar 14, 2013 | Rating: 3.5/4 | Full Review…
A mesmerizing, realistic and often hilarious look at the politics of power and the power of ideas ...
Peter Howell
A powerful experience, much more so for a largely unsentimental approach that does not forget its raison d'être. Feb 28, 2019 | Full Review…
A powerful experience, much more so for a largely unsentimental approach that does not forget its raison d'être.
Naila Scargill
Featuring an impressive lead performance from pint-sized Spanish language star Gael García Bernal and welcoming back his regular muse Alfredo Castro, Larraín has successfully sculpted his most commercially-appealing film to date. Feb 8, 2019 | Rating: 4/5 | Full Review…
Featuring an impressive lead performance from pint-sized Spanish language star Gael García Bernal and welcoming back his regular muse Alfredo Castro, Larraín has successfully sculpted his most commercially-appealing film to date.
Daniel Green
This purposefully low-tech approach results in a film with a lot of light. Too much, perhaps, for the contemporary eye, but it captures the optimism of the time as well as Saavedra's rainbow-laden ads. Dec 13, 2018 | Rating: 3.5/4 | Full Review…
This purposefully low-tech approach results in a film with a lot of light. Too much, perhaps, for the contemporary eye, but it captures the optimism of the time as well as Saavedra's rainbow-laden ads.
Kelly Jane Torrance
Nonetheless, this is a rigorously drawn account of a remarkable coup that delves shrewdly into the machinations of political marketing. May 21, 2018 | Rating: 3/5 | Full Review…
Nonetheless, this is a rigorously drawn account of a remarkable coup that delves shrewdly into the machinations of political marketing.
Emma Dibdin
In fact, for all its good cheer, what gives Larrain's movie an emotional undertow is its suggestion that while Rene's marketing strategy may work, it may also be a double-edged sword. May 16, 2018 | Full Review…
In fact, for all its good cheer, what gives Larrain's movie an emotional undertow is its suggestion that while Rene's marketing strategy may work, it may also be a double-edged sword.
John Powers
Given the charnel-house atmosphere of Tony Manero and Post Mortem, it's striking that Larraín concludes his Pinochet trilogy on a note of near-giddy optimism. Mar 4, 2018 | Full Review…
Given the charnel-house atmosphere of Tony Manero and Post Mortem, it's striking that Larraín concludes his Pinochet trilogy on a note of near-giddy optimism.
J. Hoberman
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