La Historia Oficial (The Official Story) (1985)
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as Father Ismael
News & Interviews for La Historia Oficial (The Official Story)
Critic Reviews for La Historia Oficial (The Official Story)
From the legacy of anguish left by Argentina's military juntas, Luis Puenzo has created a glowing film.
A rare film, which makes a powerful political statement while telling a touching personal story. In his feature debut, Puenzo shows commitment to human rights without imposing explicit political doctrine.
An almost textbook example of how to use a personal story to tell and illuminate a much larger one (are you listening, Oliver Stone?).
Audience Reviews for La Historia Oficial (The Official Story)
Even though the changes undergone by the protagonist seem rushed (not even her hair seems to follow an entirely consistent evolution), this is a deeply disturbing and painful drama that poses hard questions and examines the terrifying truth about a horrific moment in History.
A schoolteacher searches for her adopted daughter's origins. Beginning as a film about how teachers teach/indoctrinate the state's dominant paradigm, the film quickly shifts focus to the teacher's family life. We learn that it is likely that her daughter was procured by illegal or immoral means by her government official husband. Bourgeois versus "common man" sympathies becomes the main conflict for the family and the film. Thus, The Official Story is a heady drama, one that ultimately condemns the upper classes by revealing violence hidden beneath the veneer of respectability. I don't think I could appreciate the film as much as a native Argentinian because of my limited knowledge of their history; I've seen Evita and paid attention during World History in high school, but that's about it, and many of the oblique references to past military leaders was lost on me. The drama also unfolds slowly. There are long zooms and pans and numerous shots of the main character looking pensive. Overall, I think there's a lot to like about The Official Story, but it's not for all audiences, especially my classmates who fell asleep during World History and failed to see Evita.
It takes a very intimate story and allows us to see through a small crack all the horror and tragedy suffered by a whole nation. Overwhelming.
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