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While Passing's delicate approach has a dampening effect on its story, debuting director Rebecca Hall makes the most of an impressive cast -- and handles thorny themes with impressive dexterity. Read critic reviews
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Passing videos
Passing: Trailer 1
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Movie Info
In 1920s New York City, a Black woman finds her world upended when her life becomes intertwined with a former childhood friend who's passing as white.
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Rating: PG-13 (Thematic Material|Some Racial Slurs|Smoking)
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Genre: Drama
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Original Language: English
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Director: Rebecca Hall
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Producer: Nina Yang Bongiovi, Rebecca Hall, Margot Hand, Forest Whitaker
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Writer: Rebecca Hall
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Release Date (Theaters): limited
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Release Date (Streaming):
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Runtime:
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Distributor: Netflix
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Production Co: Sight Unseen Pictures, Flat Five Productions, Significant Productions, TGCK Partners, Film4, Sweet Tomato Films, Endeavor Content, Gamechanger Films, XRM Media, Picture Films
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Sound Mix: Dolby Digital
Cast & Crew
News & Interviews for Passing
Critic Reviews for Passing
Audience Reviews for Passing
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Actress Rebecca Hall's debut as a screenwriter and a director was snatched up by Netflix and now poised as an Oscar contender. It's set in the 1920s and follows two women, Irene (Tessa Thompson) and Clare (Ruth Negga). Both women come from the same neighborhood but have lived different though fruitful lives, though Clare's fortunes hinge on a secret she hides even from her rich husband. She's a light-skinned Black woman but she has been posing as being white, and she's reaped the rewards. As the two former friends reconnect, Clare visits the clubs and parties of Harlem as if a tourist, and she seems to have charmed Irene's husband to spark unrest in her home. The movie is very tasteful and stately, filmed in black and white and in a 4:3 aspect ratio, communicating the boxes these women felt trapped in by society's racial aptitudes. The problem is that Passing has so much explosive drama at its core but it's too demure to a fault, which leads to a lot of wheel spinning and pensive glances. The movie almost follows the "uninvited guest" plot device, where Clare makes herself more at home in Irene's world to her chagrin. There's a general danger of whether Clare's secret will come out, especially since her husband is overtly racist, but she seems so blase about her situation. The movie seems to feel like it's lacking a potent sense of dread for these women, leaving it more implied than felt. It's a character study but the primary characters seem more like archetypes, symbols intended for a larger social debate after the film's conclusion. Both actresses are terrific, however, and would be worthy nominees for awards. Negga (Loving) has the more locked-in performance as the woman living her facade, only offering glimpses of what the real Clare thinks about herself. Thompson (Dear White People) is the one trying to hold it all together while she tries to assess whether her former friend has figured out a social cheat code, is deluding herself, or is herself a corrupting influence. The ending is so abrupt that I had to rewind to better understand what had happened. It's left for interpretation about culpability and intent, but it's further confirmation that the characters are meant as symbols more than people, and their fates feel a little too tailored for study. Passing is a good movie, don't get me wrong, but one that left me checking the time a little too often to see how slowly it was passing. Nate's Grade: B
nathan z Super Reviewer -
Thompson and Negga give sublime performances. Most interesting though is how unafraid Hall is from keeping the older literary style of the language intact.
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