Phantom Thread (2017)
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It's set in an evocative ecosphere of haute couture fashion. But by the time it reaches its appetizingly perverse end, the film primarily reaffirms Anderson's own skill at hand-crafting exquisitely conflicting interior and external worlds.
A duet of affection and irritation, Phantom Thread teeters, too, on the edge of romantic comedy. There's a lot of humor in its passive-aggressive tug-of-war.
The director's most outwardly accessible movie in ages, "Phantom Thread" is at once an evocative period drama and a magical fable about lonely, solipsistic people finding solace in their mutual sense of alienation.
We're not so much watching Woodcock the rarefied designer as Day-Lewis the rarefied actor, his immersion so uncanny that he can illuminate a soul at once titanic and stunted.
Once again, Day-Lewis goes deep and has clearly done his homework. The 60-year-old actor doesn't seem to know any other way. In an era of tin-plated movie stars, the world of cinema will miss him.
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