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Movie Info

In New York City's Flatiron District, Lucky (Prince Adu), newly arrived from Ghana, hocks fake designer products out of back rooms with his partner, Levon (Karren Karagulian). Modestly successful in their gray market endeavors, the duo are satisfied. Lucky's cheerful life takes an unexpected turn, however, when his toddler son comes to live with him. Now, burdened with the responsibility of fathering a child, Lucky must readapt to the pressures of life as a petty criminal.

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Critic Reviews for Prince of Broadway

All Critics (19) | Top Critics (7) | Fresh (16) | Rotten (3)

Audience Reviews for Prince of Broadway

  • Sep 06, 2010
    "Prince of Broadway" is an admirable but dull film. It heroically chronicles the hardscrabble life of poor immigrants in New York City, but it doesn't have much of a story to tell about them. Lucky, the main character, is an illegal immigrant (from Africa, it seems) who ekes out a meager living by selling counterfeit luxury items, a major trade in NYC. His life is turned upside-down when a former girlfriend shows up one day and hands him a baby. "He's your son," she says. He struggles to hand the baby back, but to no avail. He stands there shell-shocked, not even knowing how to hold a child much less parent one. This is great subject matter, but writer/director Sean Baker doesn't really know what to do with it. Watching this uneducated man struggle to learn to take care of a baby doesn't make for compelling cinema after about 20 minutes. Baker is a master of ethnographic cinema, capturing the look and feel of a particular social milieu. He presents the New York under-class with the same kind of deep, gritty authenticity that Lee Daniels did in 'Precious.' Alas, capturing a look and feel is only part of a movie-making project. There also has to be a great screenplay with a great story. Baker really disappoints here. He may be a great director, but he's no screenwriter. Still, I'm very pleased that 'Prince of Broadway' finally found a distributor two years after the film was finished. No doubt this was all due to Lee Daniels, who agreed to let his name be used in the marketing campaign. In all the movie ads I've seen, "Lee Daniels Presents" appears above the title. We desperately need more hand-made films like this and more filmmakers like Baker and Daniels, who are willing to forgo a life of riches to tell stories about the poor. "Prince" may not be a perfect film, but cinephiles from coast to coast must support it to send a message that films with subject matter like this are marketable. If a market for films like this opens up, we would no doubt get some better specimens of the genre quickly. Support hand-made working-class cinema!
    William D Super Reviewer
  • Aug 30, 2010
    An equal parts charming and gritty look at two immigrants trying to make a living by selling knock-off merchandise in New York. One is dealing with marital troubles stemming from a fake marriage for US citizenship, while the other is suddenly left with a young son he didn't even know he had that may or may not even be his. A vibrant slice of neo-realism, teeming with life and the pulsating rhythms of the streets of New York.
    Matthew L Super Reviewer
  • Oct 30, 2009
    Prince of Broadway tells the story of a "street rat" named Lucky. He's from Ghana and is living, illegally, in New York City and participating in the lucrative (for the wholesaler, not the street vendor), illegal, industry of selling counterfeit fashion merchandise. Along the way, we see how depressed his lifestyle is. He lives in squalor in a dilapidated studio apartment in Harlem. He has a nice girlfriend who, for some reason, stands by this loser despite his being irresponsible, vulgar and an all-around uneducated macho pig. Well, along the way comes a little boy to change Lucky's life forever. One of Lucky's former flings drops by and demands that he take some responsibility for his half of the creature. Not surprisingly, Lucky is dumbfounded and tries to evade his duties as father. But he is forced to live the the child as his mother has all but left the little one at the mercy of this stunted adult. After a while, Lucky's incessant denial to own up to his responsibility as father and contributing adult gets a little old. His reluctance to accept the child and his negligence is a little hard to watch as the little one gets tossed around like a rag doll with no regard to his own feelings. In essence, what are supposed to come off as endearing, funny little moments come off as annoying and unbearable to endure when it's at the expense of a defenseless toddler. But, I guess the message of this film is to depict that "upstanding" individuals such as Lucky and his uncouth clan of friends and former lovers actually exist. The stunted development of a child into adulthood is a theme that is prevalent to the point of having it clobber you on the head. The incessant belligerence of the main character antagonizes him to the point where you wish he would actually get shot or run over by a bus or something--but, in all likelihood (and in accordance to his display of negligence) it would be his son who would undoubtedly suffer such a gross fate.
    Rico Z Super Reviewer

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