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Critics Consensus: More slow-moving than Run Lola Run, this film nonetheless offers an intriguing storyline about love and fate.
Critic Consensus: More slow-moving than Run Lola Run, this film nonetheless offers an intriguing storyline about love and fate.
All Critics (83) | Top Critics (24) | Fresh (51) | Rotten (32) | DVD (6)
This is bravura filmmaking and a movie not to be missed.
Often fascinating but bizarre and, ultimately, unsatisfying.
Every person's behavior, Tykwer demonstrates with a flourish, is ultimately a matter of chance.
Mesmerizing fable of frozen grief and stubborn love.
You don't have any idea what's going to happen next.
This is a love story, but it isn't one you've ever seen before.
How do you follow up with one of the most kinetic films ever made? The obvious answer would be to slow things down, take a more introspective and less visceral approach. In short, do something different.
...a film that's gorgeous to look at, but completely hollow and devoid of compelling characters.
Potente proves her versatility as an actress here with a much more subdued character, but is still capable of delivering powerhouse emotional scenes
It's a fascinating mix, even when the straight-faced melodrama clangs against such wicked, poker-faced absurdism.
Una película muy regular, después del sabor que nos dejó Corre Lola Corre.
An endurance test of overly long sequences bereft of impact.
Pretty to look at, but unnecessarily slow...as if the goal were to make a heist movie without the vulgar ingredient of excitement. Very odd movie. I kept asking myself "is there a point to all this"? Very long, too. Just not my cup of tea, apparently.
Super Reviewer
a fairy tale, as the title suggests, in the sense that fairy tales are myths of psychic healing. it's one of the oldest functions of storytelling and the characters here are archetypal. love franka and that hypnotic piano theme during the heist. an ambitious film on many levels and i was pretty into it up until the end, when everything is seemingly spelled out in giant block letters just in case we didn't get it.
A psychiatric nurse tracks down the mystery man who saved her life after a traffic accident but finds herself on the run when she is caught up in his attempt to rob a bank. The Princess and the Warrior is an offbeat love story that has "European cinema" written all over it. Two damaged individuals find solace in each others arms after various trauma that affect their lives and much forced poignancy and unlikely coincidence indicating "fate" rear their heads in the process. It's basically the kind of film that would never be made in Hollywood and as such does feel quite refreshing but there is an underlying air of pretension that stops it from being a truly great film; the metaphorical ending in particular was rather ham fisted in way that made me feel that the director might as well as drawn an "emotional" diagram with accompanying flow charts and maybe a nice bar graph thrown in. But as with all films, the entertainment level boils down to whether the story interests you and the performances appeal and in this case, they do. Pretty to look at and oddball enough to please any fans of indie or world cinema, if a little emotionally unaffecting for the above reasons.
Beautiful, love it. Would watch one hundred times in a row and not get bored.
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