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Critics Consensus: No consensus yet.
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Critic Consensus: No consensus yet.
All Critics (34) | Top Critics (4) | Fresh (30) | Rotten (4) | DVD (7)
John Huston's Prizzi's Honor packs love, sex, and murder -- and dark comedy -- into a labyrinthine tale.
As usual, Turner works hard and manages to lend some conviction to a shoddily written part, but she can't connect with Nicholson, whose obscure hamminess leaves him isolated on some other planet.
A very stylish walk with love and death.
This is the most bizarre comedy in many a month, a movie so dark, so cynical and so funny that perhaps only Jack Nicholson and Kathleen Turner could have kept straight faces during the love scenes.
I think it's just about a great movie, and certainly one of director John Huston's best.
Almost every possible mob film has been made, but this one still feels inventive and engaging.
John Huston's dark, cynical comedy about the Mafia, one of his last pictures, suffers from the lack of chemistry between Jack Nicholson and Kathleen Turner, but Anjelica Huston is excellent in a well-deserving Oscar-winning turn.
A blackly comic and insidiously sly love story in the unforgiving underworld of mob families and freelance criminals...
Huston steers clear of slapstick cliché and keeps the comedy coming, right to its violently funny ending.
Widely considered a black comedy classic, Prizzi's Honor is dated today and, tragically, finally revealed as a middling work that wanders aimlessly and ends abruptly.
Yes, it went a little too long, felt a little forced at times, began with one of the most unnecessary lengthy wedding scenes of all-time and ended on a note that simply didn't satisfy, but overall, I enjoyed it and would recommend it.
A black comedy about an ill-fated love affair and the nasty politics of a criminal clan.
A hit man falls in love with a counterpart who robs his employers. Anjelica Huston's icy but damaged mob daughter earns this film a full star in my book, not mention the Oscar it won Huston. With a cool, reserved vulnerability, her performance is captivating. The rest of the film is not as good. The love story plot is horribly developed. There is very little chemistry between Jack Nicholson and Kathleen Turner, and the characters senselessly dive into a relationship that is based on so little that it makes one wonder why they would give up so much for its sake. The eventual plot twists are formulaic and predictable. Overall, the film makes no sense as a drama, and though it's meant to be a comedy, I don't get the joke.
Super Reviewer
John Huston has a little fun with the by now typical New York family crime tale when one of their main killers spots a beautiful blonde at a Mob wedding and is instantly smitten. There's a catch though ... she's a contract killer too. Nicholson and Turner are good enough for charm and Huston's daughter gets to shine too, enough to win Best Supporting Actress for that year.
For as much as I remember Prizzi's Honor getting talked up when I was a kid, as an adult I've got to ask what the hell the big goddamn deal was about. The story sets up an interesting premise but takes some major lapses in logic (even if the only mafia movie you've ever seen is The Godfather) and ties things up W A Y too conveniently at the end. The performances were either hammy and over the top (I'm talking to you, Nicholson) or downright negligible (*cough*KathleenTurner*cough*.) The only exception was Anjelica Huston whose foxy magnificence was grossly underused. I actually almost turned Prizzi's Honor off in the first half hour, but by the time the credits rolled I was sort of glad I didn't, but I've got the feeling that John Huston was counting on nonexistent charm to carry this story where there was never really anything there.
This is an utterly brilliant romantic gangster thriller movie, it's awesome, the cast is awesome too, I highly recommend this movie.
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