Real Women Have Curves (2002)
Real Women Have Curves (2002)
Real Women Have Curves Photos
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as Mr. Guzman
as Raul Garcia
as Juan Jose
as Juan Martin
as Glitz Receptionist
as Singing Woman
as Mrs. Glass
as Dr. Lopez
as Pharmacy Attendant
as Dona Carlota
as Dona Gorgonia
as Girl No.1
as Girl No.2
as Girl No.3
Critic Reviews for Real Women Have Curves
It's so underwritten that you can't figure out just where the other characters, including Ana's father and grandfather, come down on the issue of Ana's future.
Real Women Have Curves is nowhere near a great film, but it is the most distinctive and appealing of entertainments.
A vivid cinematic portrait.
You watch for that sense of openness, the little surprises.
Funny and touching.
What's most refreshing about Real Women Have Curves is its unforced comedy-drama and its relaxed, natural-seeming actors.
Audience Reviews for Real Women Have Curves
A young woman rebels against her mother in order to gain independence and a better life. These days there is a lot of talk about the American Dream with politicians bandying about the term with little critical insight and the late, great George Carlin saying, "They call it that because you have to be asleep to believe it.;" But this is a film with its eyes wide open and a focused, almost myopic support of the possibilities that still remain for this nation's under-represented. America Ferrera's performance as a focused, determined woman who is torn by her tradition-worshiping mother and her dreams of going to college is quite strong, and we quickly gain an admiring respect for the character as Ferrera embodies her. Likewise, the antagonist, played by Lupe Ontiveros, is believable as being able to combine love, fear, and manipulation in a single action. These are two fine actresses giving strong performances. Though the film is able to celebrate women without demonizing men, there are nonetheless structural flaws. Director Patricia Cardoso tries to add Latin music to smooth out the film's transitions, but the scenes are unevenly short and episodic. Also, we never see much development in Ana's character. It is as though she either wakes up or starts the movie ready to give a school assembly speech to young girls about the importance of self-esteem, use of condoms, and higher education. Thus, she becomes a one-dimensional character and a mouthpiece for the director and screenwriters. Nothing she says is objectionable, but a film so invested in character should allow us more insight into her journey. Overall, there's no reason not to show this film to every teenager in the country, regardless of ethnicity or size, but there are many reasons not to show it in film school.
I enjoyed the movie. It portrays the struggle of many first generation immigrants, although the mother's resistance to her daughter going to college is unusual. America Ferrera does a great job.
This film does what most other so-called "chick-flicks" couldn't do. It celebrates women without bashing men. Yes, the male roles are secondary, but they're all moral, upstanding, intelligent characters that are supportive of Ana. Real Women Have Curves may be intended primarily for female audiences, but it's one that guys can watch without feeling belittled or apologetic.
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