The LEGO Movie 2: The Second Part
The Walking Dead
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All Critics (20)
| Top Critics (8)
| Fresh (13)
| Rotten (7)
| DVD (1)
Director Juno Mak serves up some startling and creepy moments, and a few cliches: the digital palette of steely grey-blue and brown is overfamiliar.
All the clichés of Asian horror are rolled out - with tongue ever-so-slightly in cheek - for this bracing, bonkers slice of undead antics.
[A] relentlessly creepy film ...
Even if Mak's drawn-out special effects seem like overkill, the bottom line is that he spins a good campfire yarn.
Director Juno Mak might have pulled off this potpourri if it weren't for a cop-out ending.
A discolored, comparatively humorless, slow-build horror movie whose connection to the hopping-vampire craze would seem tenuous if it weren't continually asserting it.
Oozes suffering, yet the heroes endure and push their superhuman but still vulnerable bodies beyond the limits of pain.
By combining Chinese and Japanese aesthetics, Rigor Mortis also becomes a sometimes fun, sometimes original shout-out to the East's rich and varied horror film culture.
The Hong Kong spookfest Rigor Mortis is a whole lot of fun if you approach it as a kind of Asian horror-trope bingo game. The film is as bloated as a distended corpse.
Uneven, and you may have a scratched head putting all the pieces together, but Mak's handling of mood and action, plus an eye for arresting visuals, makes him a director of real promise.
Roll our eyes we might, but importantly we never look away in fright, simply because the horrors always remains on screen.
The muted tones, fresh ideas and eerie atmosphere combine for a genuinely unsettling and constantly inventive take on the haunted house formula.
If more horror movies had as much effort put into them as this movie had, the horror genre would be thriving, instead of a few studio-produced films getting all the spotlight. That's not to say the horror genre is dead, but compared to other genres, it's stuck in a creative rut. The few independent highlights and their influence simply isn't felt in some of the more cynically produced, studio features like every Paranormal Activity sequel. With that said, I didn't think this film was at all perfect. The movie is certainly a little messy as it relates to story. And the ending is certainly a little cheap, at least in my view. But, and I read this on a IMDB review for this movie, the fact of the matter is that the story doesn't really matter because this is meant to be a visual feast. Other reviews pointed out that, if you had grown up in Chinese culture that you would understand far more of the film than if you're not. I think the explanation falls somewhere in the middle, in the long run, what most people will likely remember, is the fact that the film was so visually inventive and all over the place. The film puts you in this nightmarish otherworldly realm and you're just along for the ride, much like the same character. It doesn't matter that the story is a little fuzzy, the fact is that the visuals are absolutely enthralling and that is what makes this film so damn good. If hell was a real thing, it's not, I can imagine it being somewhat reminiscent of this. And that's really the point of the film, you're stuck in what seems to be hell. I think that's why it, ultimately, doesn't matter that the story wasn't great. This is hell on earth, theoretically, so it doesn't exactly need to make one lick of sense. The ending has also come under a lot of scrutiny. Personally, I think the ending sort of cheapens absolutely everything that went on in the film. Not a lot, but it definitely cheapens it. I'm gonna spoil it, so please do not read this part of the review. Basically, everything that happened in the film, the ghost twin sisters, the black magic, the vampires, the apparitions walking down the corridor were all just constructs of the main character's mind. He used the people he saw on his way to the room, that he ended killing himself in, as his own way to die a hero instead of someone who had lost everything and had nothing to live for. This is, essentially, another version of the 'it was just a dream' ending. I'm not saying that all the crazy shit that happened prior to the ending was completely nullified, but it took away from its impact when you find out that it was just the construct from a dying man's overactive mind. Some people will like it, but I found it really disappointing considering everything that I had seen. Of course, the fact that the actor, whose name I forget, was in such a dark place in his life at that time, the world he constructed was obviously bleak and hopeless. He created a world that needed him more than he needed them. This way, he died as a somebody instead of dying alone, with no one to mourn him. In some ways you could say that this is tragic and somehow makes the film even more bleak than it already is, and there's a point to that, but I didn't like the ending either way. The film is certainly a bit of a slow-burner, but you're so intrigued and drawn in by everything that's happening, that you barely even notice it. In fact, I found the film to be perfectly paced with some absolutely stunning atmosphere. This film joins In Fear as one of my favorite horror films of 2014. Both couldn't be more different, but they offer some great alternatives for the more jaded horror fanatics in the audience. I don't expect this to be everybody's cup of tea, but I had a hell of a time with this movie. This was certainly a sleeper for me. I just wanted to watch a horror film, went into this with no expectations, and I dare say that I was pleasantly surprised by this film. Smarter than it appears to be. Highly recommended if you want something different from the horror genre.
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