Shadow Dancer (2013)
Critic Consensus: A tense, thought-provoking thriller, Shadow Dancer is bolstered by sensitive direction from James Marsh and a terrific performance from Andrea Riseborough.
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Critic Reviews for Shadow Dancer
The film relies on terse dialogue and boggy colors to create an atmosphere dense with anxiety -- all well handled by director James March.
A respectable political/psychological suspenser, but not a wildly entertaining or enjoyable one.
A tautly minimalist, occasionally generic study of betrayal and family ties.
[Riseborough's] work is indrawn and riveting. It's hard to read the look in her eye, but we never stop trying.
This British thriller by James Marsh is a little too neatly scripted and tightly edited for my taste, but there are galvanizing performances from Andrea Riseborough... and Clive Owen.
Audience Reviews for Shadow Dancer
A captured IRA operative must decide to cooperate with a MI5 officer and betray her family or risk imprisonment. A slow, stolid, essentially British film, Shadow Dancer is remarkably predictable. Each choice is explored in stereotypical fashion: the MI5 agent talks about the futility of violent resistance and the IRA leverages nationalistic and family loyalty. The performances are good but not extraordinary. Clive Owen is as intense as ever, and Andrea Riseborough is occasionally too stoic to read but not dynamic enough to be worth caring about. Overall, if there were some surprise at the end, I might look more favorably on the film.
An uninteresting drama that lacks any surprises and whose bland approach makes it emotionally distant and boring, with a plot that drags, characters who are hard to care about and scenes that should be suspenseful but only feel tedious.
A slow-paced, though effective look at a member of the IRA (Andrea Riseborough) and how she is forced into a deal with a sympathetic MI5 agent (Clive Owen) to give information to the agency on her family who is involved in the terrorist organization. Definitely not a film for everyone, but ultimately this is a movie I respect tremendously as it goes for realism over excitement, a risk given the nature of these movies and how many directors would have opted for the high-drama and more explosions option instead to please a wider audience. Instead, director James Marsh tells this story straight, and the result is an effective, interesting look on a spy and how she must keep her cover or risk losing everything in the process, but still struggles with feelings of betraying her family. Riseborough and Owen are both fantastic, and the film is a success given the acting coupled with extremely good writing and directing.
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