Mary Poppins Returns
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All Critics (17)
| Top Critics (6)
| Fresh (16)
| Rotten (1)
| DVD (1)
Keaton's appreciation of the formal paradoxes of the medium is astounding; his observations on the relationship between film and the subconscious are groundbreaking and profound. And it's a laugh riot, too.
Keaton's third feature under his own steam is an incredible technical accomplishment, but also an almost Pirandellian exploration of the nature of cinematic reality.
A master of movement and stillness, Keaton developed a comedy style that was as intellectual as it was physical, and this small gem shows us why he's as purely American a film genius as the motion pictures have produced.
The unexpected, fantastic dream situations lend themselves to some remarkable trick effects, including one in which Buster walks right out of an audience and into a picture on the screen.
There is an extremely good comedy which will give you plenty of amusement, so long as you permit Mr. Keaton to glide into his work with his usual deliberation.
This Buster Keaton feature length comedy is about as unfunny as a hospital operating room.
Sherlock Jr. is Keaton's signature statement, and mind-warping flight of fancy on the dreamlike nature of films and the fluid nature of our ontological existence.
One of Buster Keaton's finest comedies, certainly his most inventive and technically audacious.
Buster Keaton's third and shortest feature ranks among his best.
Not only one of the funniest movies of all time, filled with staggering stunts, amazing sight gags, and mind-boggling cinematic tricks, but it's also a brilliant meditation on the nature of the film medium itself, perhaps the best ever made.
This is a dizzyingly inventive, postmodernist exercise in breaking down cinema's 'fourth wall', Keaton playing with the possibilities of the medium and cramming an unbelievable quantity of gags and ideas into the film.
Sherlock Jr. is notable for a series of scintillating, near-inexplicable stunts, Keaton's characteristically dexterous and deadpan performance, as well as for its fat-free rattling-good storytelling and witty intertitles.
Simply a marvel of ideas and execution, Keaton's imagination alone is a bullet ride across The Twilight Zone and The Wizard Of Oz at the same time. Breathtaking work. That it's a comedy is only the cherry on top.
I'd never watched any real silent films before, because I feared that if I did the film would be outdated in its humor and wouldn't warrant that many laughs out of me. But man did this film blow away my expectations, this is one of the funniest films I've seen In my whole life. Now the only real comedies that make me burst out laughing every 5 minutes are usually Jim Carrey films, but this film I burst out laughing every 5 seconds. The pool scene is one of the most tension building scenes ever put in film, but is also very funny to watch. I never thought I would recommend a silent film, but this film is a must for comedy fans and fans of silent comedies.
A great movie all the more remarkable due to the technique employed and how Keaton could pull off a number of risky stunts without getting killed - and his huge care is evident in a hilarious billiard scene and a fabulous moment in which he dodges many dangers on a motorcycle.
Sherlock Jr. is only the third silent film I've seen and the first from Buster Keaton. All that's going to change though because this movie has made me see the different types of humor that the silence offers, as well as other cool things that can be done when talking isn't involved.
A young projectionist, who is also studying to be a detective is accused of stealing from the family of the girl he is trying to marry when a rival suitor frames him. He falls asleep while running a movie and dreams himself onto the screen where he becomes Sherlock Jr., the greatest detective in the world.
I loved pretty much everything about this movie and the influence it had over future movies is almost unparalleled. It was one of the first films ever to employ the usage of multiple story lines and also introduced the notion of escaping from ones life into the movies. A story which has been used many times over the years.
Sherlock Jr. is a masterpiece of early filmmaking from one of the most revered silent comedian and director of the silent era. The technical concepts he uses in this film are quite astounding for his time and watching them now, over 90 years later, it astounds me to see a masterpiece like Sherlock Jr.
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