If you have ever experienced a divorce, or been in one, Shoot the Moon knows what it is like. Usually dismissed as a "family drama," this 1982 film starring the incomparable Albert Finney (the greatest actor the Earth has ever had walk on it) and the excellent Diane Keaton is among the most genuine portraits of love's trance ever produced. Lov, is a physical mirage. Once you're in it, you can't get out of it, and if you're out of it you usually look for the person who looks like the one you were originally married to. When Finney and Keaton divorce, Keaton finds Peter Weller, who looks quite a bit like Finney, and Finney finds Karen Allen, who strikes a resemblance to Keaton. They each try to make scenes but it somehow draws them together. One might recall Bunuel's "That Obscure Object of Desire," when a sexually repressed man falls in love with the same women, played by two different people that alternate between scenes. Take that, and insert the more emotionally-charged side of it. Now you have more compelling material.