L' Argent de Poche (Pocket Money) (Small Change)

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Cast

Nicole Félix
as Mother

Chantal Mercier
as Chantal

Jean-François Stévenin
as Jean-Francois Richet

Virginie Thévenet
as Lydia Richel

Tania Torrens
as Nadine Riffle

Geary Desmouceaux
as Patrick

Philippe Goldman
as Julien

Sylvie Grezel
as Sylvie

Pascale Bruchon
as Martine

René Barnerias
as M. Desmouceaux

Marcel Berbert
as Headteacher

Corinne Boucart
as Corinne

Yvon Boutina
as Oscar as an Adult

Jean-Marie Carayon
as Sylvia's Father

Kathy Carayon
as Sylvia's Mother

Annie Chevaidonné
as Nurse

Frank Deluca
as Himself

Francis Devlaeminck
as Mons. Riffle

Michel Dissart
as M. Lomay

Monique Dury
as Florist

Richard Golfier
as Himself

Little Gregory
as Himself

Paul Heyraud
as M. Deluca

Christian Lentretien
as M. Goifier

Jane Lobre

Thi Loan Nguyen
as His Wife

Christine Pellé
as Mme. Leciou

Roland Thénot
as Librarian

Vincent Touly
as Caretaker

Eva Truffaut
as Patricia

Claudio Deluca
as Mathieu Deluca

Laurent Devlaeminck
as Laurent Riffle

Bruno Staab
as Bruno Rouillard

François Truffaut
as Martine's Father

Laura Truffaut
as Madeleine Doinel

Phillippe Goldman

Katy Carayon

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News & Interviews for L' Argent de Poche (Pocket Money) (Small Change)

Critic Reviews for L' Argent de Poche (Pocket Money) (Small Change)

Audience Reviews for L' Argent de Poche (Pocket Money) (Small Change)

• Mar 20, 2012

  Beautifully incohesive coming-of-age film, set in a small French town, that builds its very own world and populates it with characters from different walks of life and their fascinating interactions. Given that growing up is in and of itself its own narrative, the story has a direction from the get-go, and within its timeframe - the last weeks of the school year leading up to the kids' first co-ed summer camp - Truffaut seems to just let the camera run, encompassing the entire experience of growing up in this town in a series of scenes filled with excellent child acting. The title is perfect, in a way, as many of the children are somewhat of an afterthought, seemingly unimportant in their insignificant lives, kind of like the small coins that accumulate in your pocket over time. But as the saying goes, it all spends the same, and what's more, individually, each of these coins moves from unconsidered to precious by film's end. The downside of the growing-up narrative, I suppose, is that it doesn't really end: you grow up, which closes this window, but this kind of story can be somewhat anti-climactic, and can leave the storyteller searching for a way out that's not intrusive or cliche). Truffaut gives in a little by choosing a speech from a caring teacher, but cheap exit or not, it's well-written and well-delivered and stops short of plainly laying out the filmmaker's point. Together, these pennies saved are truly pennies earned, and you will be much richer for the whole of this experience than the sum of the film's parts might suggest. A delightful little film from a masterful director - and, interestingly, as I recently read in an interview with Wes Anderson, a big inspiration for Moonrise Kingdom. Definitely a good time to dust it off again.
  Daniel P Super Reviewer
• Dec 07, 2011

  This film depicts episodes from children's lives in a small town in the very center of France. While I watched this film, two things kept recurring in my head. First, Truffaut is so much better when he's dealing with children, <i>Stolen Kisses</i> being an exception. Second, this is so much better than <i>Amarcord</i>, which is a Fellini film that <i>L'Argent de Poche</i> reminds me of. In both Fellini and Truffaut's films, we see no main character except the town's inhabitants, and there are comedic episodes that attempt to convey a "slice of life." But like <i>Amarcord</i>, many of the "comedic" moments aren't especially funny. One is downright ridiculous; I won't give it away, but at the resolution of the Gregory situation, I briefly hated this film, finding it emotionally manipulative and simple-minded. But unlike <i>Amarcord</i> Truffaut has clear thematic purpose. He remembers and conveys the moments of childhood when the cliche of "childhood innocence" rings true, but at the same time, he captures the awkwardness and embarrassment of trying to make one's way in the world without a road map or a trustworthy tour guide. I also found the curious absence of parents interesting, replaced, it seems, with teachers who seem more cautious and exacting than their biological counterparts. And the climactic speech by an educator provides a good thematic conclusion. Overall, I liked <i>L'Argent de Poche</i>, even though there were moments when it tried my patience.
  Jim H Super Reviewer
• Aug 07, 2011

  Truffaut truly gets outstanding performances from youngsters and he knows how to tell and showcase their stories beautifully. One of my favourites of Mr. Truffaut.
  

  Jonny B Super Reviewer
• Apr 11, 2007

  I could watch an entire feature of that little Gregory kid. But not if he keeps falling out of windows. That was not funny.
  Tom S Super Reviewer

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