Ralph Breaks the Internet
Mission: Impossible - Fallout
Log in with Facebook
Forgot your password?
Don't have an account? Sign up here
and the Terms and Policies,
and to receive email from Rotten Tomatoes and Fandango.
Already have an account? Log in here
Please enter your email address and we will email you a new password.
No consensus yet.
Tomatometer Not Available...
No consensus yet.
All Critics (11)
| Fresh (6)
| Rotten (5)
| DVD (2)
It is disgusting but beautiful, it's a twisted peculiar 1980s gem.
Might be too ambitious for a teen horror pic, but it grabs your attention.
"Society" is a poorly written, but ultra gory horror story made in 1989 by "Re-Animator" producer Brian Yuzna. But, don't go thinking this is a guilty pleasure. "Re-Animator" was a vastly superior film.
Putting a fist up America's hidden dynastic structures & pulling them inside out so that the terrible things underneath are revealed for all to see, Society is a veritable orgy of influences assimilated into something singular & entirely sui generis.
Although Society is at first blemished by its dated humor and contrived teenage self-discovery, we find everything is in service to a truly sensational ending.
An attempt to make a different movie. And yes, it's different indeed but different is far from the same thing as good
Dreary suburban drama with a goopy horror finale, Society seems to be about a whole lot of ideas - when in truth it presents one or two pedestrian concepts and then repeats them ad nauseum.
With a protagonist that is most of the time irritatingly dumb and a repetitious plot that cannot come up with anything more interesting than a silly (and very obvious) attack on high society, this is a lame horror movie that turns into a complete mess in its gory third act.
A weird but enjoyable tale that pokes fun at the inner circles of the rich elite of the Beverly Hills community. The less you know about this one the better but it's a film that's worth a watch at least once. Special mention also to make-up effects artist Screaming Mad George for his creative and grotesque work. Make sure you finish what you're eating well before the end!
Obvious plotting... obvious plotting... obvious plotting... well BOY HOWDY look at that.
Billy Whitney is a troubled kid who's seeing a shrink because of his fear of loved ones and those that are close, which he has a hard time fitting in with his wealthy family as he feels he doesn't belong with them. He's also a student at Beverly Hills Academy who's running for president and is dating the head cheerleader, so things aren't all bad. Although things suddenly change for the worse when Billy's Sister's ex-boyfriend convinces him there's something strange about his family. Now Billy gets pulled into a very frightening world that's filled with surreal images and where the paranoia is finally tearing him apart. But what's to come for Billy will be more shocking than what he can comprehend.
After watching a horror-mystery the day before I decided to put my teeth into another, Yuzna's 'Society'. You'll think that Society comes across as usual pure 80's trash in the very cheesy kind. And it does look like that and actually descends into that pattern. But firstly the way it started off you might think otherwise, as it does open proceedings rather eerily with an tight prologue and then a haunting tune through the opening credits, but soon it takes a real sharp turn from its beginning and heads into familiar 80's horror territory, with the usual corny dialogue, gratuitous nudity, camp performances and over-the-top humour. Although when it comes to the final 20 minutes or so, you totally are blown off your feet and possibly are in a state of bemusement. During this stage it turns disturbing and rather disgusting, while there's classical music streaming along. I know that I was left with a bewildered impression on my face and I would be surprised if you don't get the same feeling too. Meaning it's a good idea to make sure your not eating when coming up towards the film's perverted climax.
The odd but fun story does play out like a teen flick with nice amount of mystery and yep I say it, satire. This story has more to it and that shows in the hidden agendas and subtle dialog that all seems to come together perfectly. On a second viewing you would easily pick up on these hints within the script. You got your sick in-jokes, lame pun and plain wicked tone. Back onto the satire now, which this story is an allegory on the rich looking down on the less privilege and finally screwing over the poor. These amusing pot-attacks are scattered across the story, while also worked into the mystery side of the story with Billy trying to figure what's going on and what's this 'society' is. Some moments you see have you contemplating if what he sees is a figment of his imagination. The reason why you question this is because his seeing a shrink so is it just in his head or is this nightmare for real. This is presented in a very good manner and that's because of the man behind the camera.
Brian Yuzna who produced the great 'Re-animator (1985)' makes his directorial debut here and does an extraordinary job. No real atmosphere is generated, but he paces it with such elasticity that there's no labouring about and he ups the suspense with assured handling and control. The humour and horror balance is a bit uneven, at times it felt oddly out of place, but it doesn't destroy the fun mood. Camera placement is rather sharp and well executed, with a nice eye for shots and moods. Going with it all is a likable heroine played by Billy Warlock from 'Bay watch' fame. While, the rest of the acting is nothing out of the norm for a film like this. Everyone was effective in their parts and contributed to the enjoyment that followed. The production is incredibly slick and that's evident by the locations and Screaming Mad George's mind-blowing special effects. Those messed up effects that come out of the blue are what makes this film memorable in its inevitable outcome!
There's nothing really creepy about this real jokey 80's horror flick, but when it gets to the ending credits you'll be left with one real lasting impression? I assure you!
View All Quotes