Song to Song

Critics Consensus

As visually sumptuous as it is narratively spartan, Terrence Malick's Song to Song echoes elements of the writer-director's recent work -- for better and for worse.

43%

TOMATOMETER

Total Count: 122

37%

Audience Score

User Ratings: 6,607
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Movie Info

In this modern love story set against the Austin, Texas music scene, two entangled couples--struggling songwriters Faye (Rooney Mara) and BV (Ryan Gosling), and music mogul Cook (Michael Fassbender) and the waitress whom he ensnares (Natalie Portman)--chase success through a rock 'n' roll landscape of seduction and betrayal.

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Cast

Ryan Gosling
as BV
Rooney Mara
as Faye
Michael Fassbender
as Cook
Natalie Portman
Cate Blanchett
Holly Hunter
Bérénice Marlohe
Val Kilmer
Lykke Li
Olivia Grace Applegate
Dana Falconberry
Linda Emond
Louanne Stephens
Christin Sawyer Davis
Tom Sturridge
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Critic Reviews for Song to Song

All Critics (122) | Top Critics (35)

  • At best, the Malick method is a cinematic sacrament. At worst, it's a moronic, cringeworthy perfume commercial. Malick's new film, Song to Song, is his worst yet. An absolute shocker.

    Jul 11, 2017 | Rating: 1/5 | Full Review…

    Kevin Maher

    Times (UK)
    Top Critic

  • Haters be damed - this is one of the year's best.

    Jul 7, 2017 | Rating: 5/5 | Full Review…

    David Jenkins

    Little White Lies
    Top Critic

  • There are some inspired visual flourishes and it is a film with its own weird stamina and momentum: sometimes exasperating, sometimes mesmeric.

    Jul 6, 2017 | Rating: 3/5 | Full Review…

    Peter Bradshaw

    Guardian
    Top Critic

  • The haughtily unenlightened can joke and snipe and snore all the want. As evinced by Song to Song, Malick is operating in top form. If only we'd be bothered to do the work of making sense of it.

    Apr 7, 2017 | Rating: 4/4 | Full Review…

    John Semley

    Globe and Mail
    Top Critic

  • Terrence Malick's latest film isn't so much a movie as it is a freeform collection of whispers and beseeching looks.

    Apr 6, 2017 | Rating: 1.5/4 | Full Review…

    Peter Howell

    Toronto Star
    Top Critic

  • This is the one with Ryan Gosling, and like Terrence Malick's two previous dramas it's a gauzy, improvised affair that looks like a photo essay out of Architectural Digest and regards its gorgeous, murmuring actors as if they were statuary.

    Mar 23, 2017 | Full Review…

    J. R. Jones

    Chicago Reader
    Top Critic
View All Critic Reviews (122)

Audience Reviews for Song to Song

  • Aug 12, 2017
    Malick still has the visual touch but like To The Wonder, this is too self indulgent that weakens what is a mess of storytelling. The magic of the camera never fails to impress but the cast and storyline doesn't come together, I find myself falling away from Malicks films because of the disconnection he seems to have with the story of the film. I'm going to revisit all the films in his filmography because I have fond memories of the first three films he directed. I have found his last few films haven't connected with critics or moviegoers alike, even if his films aren't critically loved surely the audience rating should be bigger. The characters float through the film and we don't learn all that much from them, the slight narration helps but like To The Wonder, it doesn't help flesh out a poor storyline. 12-08-2017
    Brendan N Super Reviewer
  • Mar 15, 2017
    "This is so stupid", I heard whispered by the last remaining audience member besides me as he got up and walked out of the theater. It's hard to imagine that if he had watched the final 30 minutes of "Song to Song" that he would redact his sentiment. If it was director Terrence Malick's hope to completely cull the already small demographic of people interested in his movies, he has succeeded as far as I can tell. Continuing the fractured, flailing, voice-over laden video collage approach of his last decade's worth of films, "Song to Song" follows Rooney Mara and everyone tangentially related to her romantically while they traverse the Austin music industry. Rooney wears wigs, acts like she can play guitar, talks to Patti Smith, and wanders from lover to lover - chief of whom are Ryan Gosling and Michael Fassbender. Nearly everyone in the film is a pretty hipster, and they all express their love to each other through fidgeting and frolicking around really nice houses and apartments. If you ditch the spiritual subtext of "Knight of Cups" and add more dialogue about relationships, that's this movie in a nutshell. The musical aspect of the film is integral, but glossed over, like a mega mix of the entire South by Southwest festival line-up - literally. If all of this sounds bad to you, by all means, don't watch this film. I can't in good conscience recommend this to anyone but film students. For anyone who can stomach the watch, you are treated to the transient nature of love with all of its triumphs and tribulations, and if you like Malick's "The Tree of Life", you might not hate this.
    K Nife C Super Reviewer
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