The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Word 'pointless' is the one that should be attributed to this whole film, one of the worst to come from Hollywood in past decade and one that would test patience and temper of the audience like few others.
Let's face facts: Michael Crichton is a hack. He comes up with innovative concepts, but his characters are cardboard cutouts. Given the psychological foundations of the story, that's an egregious flaw, and the ending is absurdly dissatisfying.
Sphere yearns to be a philosophical epic but it's final and only edict is so rudimentary as to barely exist: man is not yet 'ready' either intellectually or emotionally for the gifts E.T.'s are willing to share with us.
Given its situational premise -- outer space goes underwater -- Sphere is filled with visual potential, yet Levinson can't tap it. He's just a whole lot more comfortable trying to tame the human software than the technical hardware.