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Critic Consensus: No consensus yet.
All Critics (4) | Fresh (4) | Rotten (0) | DVD (1)
Lovers of vintage musicals simply cannot afford to miss Stormy Weather, which is historically significant for featuring an all-black cast and otherwise significant for providing a great time.
The thin plot doesn't matter, as it's only an excuse to showcase the black entertainers as they superbly do their showbiz things in a string of reviews.
Thin story, terrific musical numbers.
In the early 1940s "Uncle" Bill Williamson (Robinson) is sitting with some neighborhood kids in Hollywood when a theatre magazine arrives celebrating 25 years of African American music. Bill was present for all of it, so we flashback to him as a soldier returning from WWI and get a glimpse of the changing landscape of music for black performers over the previous quarter-century. Bill, his buddy Gabe (Dooley Wilson), and Selina, the girl he wants to make a life with (Lena Horne), carry the show exceptionally. Fats Waller, Cab Calloway, and The Nicholas Brothers give signature performances as well. Some songs and dances like the Cakewalk and the African jungle number show the inherent racism in show-business of that era even though no white characters appear to put up obstacles to these black characters achieving success. This movie treats us to two especially unique experiences. First, The Shadracks was a vaudeville comic duo who do a routine around a broke down jalopy. They demonstrate that even African American performers wore blackface as a mask that was acceptable to white audiences. Second, Katherine Dunham and Her Troupe do a balletic routine as a bridge in Lena Horne's performance of the title song Stormy Weather. This reminded me of Gene Kelly's balletic breaks in films from ten years later, and made me wonder if this could be the origin. I have not seen Cabin in the Sky yet from this same year. Were there other films from this time period that had fantasy dance numbers like this, or is this in fact the inspiration for those later movies that were beloved by the Academy? Great entertainment with rare opportunities to see black stars of this era own the screen.
Super Reviewer
while it's certainly a white fantasy of black life in 1943 (where racism didn't exist) it stars many of the greatest entertainers of the 30s and 40s. bill robinson was already 65 when this was made; lena horne was an up and coming 26. of course their relationship was completely desexualized and the plot was just an excuse for musical numbers anyway. but it's hard to beat fats waller, cab calloway in a zoot suit and the fabulous nicholas brothers.
This movie has a good story, but I didn't like how it ended. Most of the movie is singing, anyway. Overall, it's okay.
I've seen a lot of dance movies, but I have got to say that the end routine in this film just blows them all out of the water. It's phenomenal! The story here is pretty thin, but since when does anyone watch a musical for story? As blasphemous as this may be, it's a pity they didn't film in Technicolor. It would have popped fantastically. Still, entertainment in one of it's purest forms.
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