Shirley
Da 5 Bloods
On the Record
I May Destroy You
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While it showcases some cool stunts, Supercross feels like an infomercial for its titular sport, with undeveloped characters and a shopworn plot.
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All Critics (74) | Top Critics (20) | Fresh (4) | Rotten (70)
You could see the same thing for free -- with higher production values and snappier dialogue -- watching X Games coverage on ESPN. March 7, 2007
You could see the same thing for free -- with higher production values and snappier dialogue -- watching X Games coverage on ESPN.
Christy Lemire
Like the drive-in classics of Roger Corman and Samuel Z. Arkoff, this develops the principal characters and conflicts with just enough depth and keeps the narrative moving at a brisk pace. January 8, 2007 | Full Review…
Like the drive-in classics of Roger Corman and Samuel Z. Arkoff, this develops the principal characters and conflicts with just enough depth and keeps the narrative moving at a brisk pace.
Joshua Katzman
Only the most devoted MX fetishists could like the film, because it doesn't offer a scrap of nourishment for the uninitiated. September 26, 2005 | Full Review…
Only the most devoted MX fetishists could like the film, because it doesn't offer a scrap of nourishment for the uninitiated.
Scott Tobias
Director Steve Boyum, a former motocross driver, hacks his racing footage to incomprehensible pieces and, from the looks of the meager, jumpy narrative, did the same to the script. August 23, 2005
Director Steve Boyum, a former motocross driver, hacks his racing footage to incomprehensible pieces and, from the looks of the meager, jumpy narrative, did the same to the script.
Matt Singer
The writing is abysmal, the acting wouldn't pass muster in a high school play, and the direction by erstwhile stuntman Steve Boyum (Timecop: The Berlin Decision) is positively sleep-inducing between cycle jumps. August 20, 2005 | Rating: 1/4 | Full Review…
The writing is abysmal, the acting wouldn't pass muster in a high school play, and the direction by erstwhile stuntman Steve Boyum (Timecop: The Berlin Decision) is positively sleep-inducing between cycle jumps.
Lou Lumenick
An example of how too much of anything will get annoying -- including VVRRRROOOOOOOMMM and flying bikes. August 19, 2005 | Rating: 2/4
An example of how too much of anything will get annoying -- including VVRRRROOOOOOOMMM and flying bikes.
John Anderson
If you love Kawasakis, Hondas, and Yamahas, and don't mind tin-eared writing, get down to the multiplex. July 27, 2014 | Full Review…
If you love Kawasakis, Hondas, and Yamahas, and don't mind tin-eared writing, get down to the multiplex.
Bill Gallo
That's right, it's time for yet another entry in that most-dreaded of genres: The XXXTREME Sports Movie. June 10, 2013 | Full Review…
That's right, it's time for yet another entry in that most-dreaded of genres: The XXXTREME Sports Movie.
Michael Hastings
It might hold some appeal if you're as teenager with a thing for dirt bikes. June 10, 2013 | Full Review…
It might hold some appeal if you're as teenager with a thing for dirt bikes.
Richard Luck
It's a bizarre, contradictory mess, a lousy promotion for a sport still unknown to many Americans June 10, 2013 | Rating: 0/4 | Full Review…
It's a bizarre, contradictory mess, a lousy promotion for a sport still unknown to many Americans
Christopher Borrelli
Finally, we get Supercross: The Movie, which basically fills in the holes Supercross: The Novel left behind. April 29, 2009 | Full Review…
Finally, we get Supercross: The Movie, which basically fills in the holes Supercross: The Novel left behind.
Felix Vasquez Jr.
As a fetishized appropriation of the extreme sport of Supercross motorcycle racing, for a story about two different-but-similar racing brothers, "Supercross" succeeds in combining fast action with slow burn emotional fuses. April 15, 2009 | Rating: B- | Full Review…
As a fetishized appropriation of the extreme sport of Supercross motorcycle racing, for a story about two different-but-similar racing brothers, "Supercross" succeeds in combining fast action with slow burn emotional fuses.
Cole Smithey
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