Mary Poppins Returns
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All Critics (17)
| Top Critics (5)
| Fresh (15)
| Rotten (2)
| DVD (2)
A near-classic of postadolescent confusion and longing.
[A Taste of Honey] has an earthy gusto and sincerity that lift its somewhat downbeat theme and drab surroundings.
A perfect example of how the 'New British Cinema' of the late '50s and early '60s has dated and become almost unwatchable.
Freed from the constricting confines of the stage, the shining honesty, the trials, the disenchantment of the drama's low-born Lancashire principals have become all the more striking and true.
Tony Richardson, who directed this mess, was once quoted as saying, "The British cinema is the worst in the world," and he was in a position to know.
This, of course, is what a film ought to make you feel: that it was conceived in cinematic terms.
The actors are all exceptional in a film that's as quietly humorous as it is gently moving.
The most deeply felt part of A Taste of Honey is its love story between soul mates - white, black, female, male, straight, and gay...Melvin's Geoff is an achingly believable character, heroic for his time - and ours, too. We owe a debt of gratitude.
[There are] no weeping martyrs or brave romantic souls. It deals with real people, complete in their human complexity, their dumb choices, their damaging outbursts, their illogical desires, and their emotional honesty.
Pushed the culture-shock of kitchen-sink drama further with its female protagonist and depictions and discussions of interracial coupling, teen pregnancy, the possibility of abortion, and homosexuality. [Criterion Blu-ray]
A Taste of Honey, tart and lively around the edges and bitter at the core, is Richardson's best film to date.
It might have been daring during its time, but is now outdated.
Shelagh Delaney's "kitchen sink" play of the early 1960's offers a harrowing look at postwar, post-industrial Britain before the glad arrival of The Beatles, the hope they ushered in and why everyone was so glad to see them. The gloom and desolation of the urban settings, juxtaposed against towering monuments of dead heroes at the beginning, only reflects the vast wastelands of despair between the characters, all flailing about like infants in an unminded crib. That Delaney was only a child (19) herself when she wrote this, a calm reply to the theatrical pretensions of the day, only underlines the veracity of her insights, particularly how much denial plays a significant part in the doldrums of society.
Rita Tushingham arrived as an underdog star with "A Taste of Honey," an early Tony Richardson film about an adrift teen girl. Jo (Tushingham) isn't blessed with charm, money or good looks, and her unreliable mother (Dora Bryan) is a well-meaning but self-absorbed floozy. While Bryan's character chases another cold-hearted scoundrel as a temporary husband, neglected Jo begins a sweet romance with a black sailor (Paul Danquah). After her love ships out, she discovers she is pregnant. But she also has met Geoffrey (familiar character actor Murray Melvin), a young homosexual outcast whose kind heart is just what she needs.
"A Taste of Honey" is a melancholy tale with a notably unresolved ending. The chemistry between Tushingham and Danquah is not what it should be, but Bryan and Melvin are wonderful. Of course, Tushingham's ugly-duckling pathos is still irresistible. The film's workmanlike direction and lack of cultural reference points means it has aged fairly well, though the frowns about homosexuality and interracial relationships do seem somewhat dated today. John Addison adds a light, orchestral score, but oddly does not incorporate the well-known melody recorded by acts like the Beatles and Herb Alpert.
A pretty good film showing what life is like for a working class teenager of Britain in the 60s. The narrative is fairly empty which made me feel like it was far too long and at times the acting isn't so great however overall I'd recommend it. It's not for everyone, but Tushingham and Melvin's performances are brilliant; especially Melvin who is absolutely fantastic.
I LOVE Rita Tushingham!
No one does "ackward but endearing" like she does.
This a really sweet (and sad film) film. A great example of the British "kitchen sink drama".
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