Mary Poppins Returns
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All Critics (22)
| Top Critics (9)
| Fresh (20)
| Rotten (2)
It offers a rare glimpse into the insurgents' long-held hopes for reform. This green wave, as a blogger remarks, is a tidal wave.
A wrenching but illuminating look at what actually happened during Iran's Green Revolution in 2009-10.
For all its omissions and problems, "The Green Wave" communicates certain basic truths effectively: Many Iranians want their voices to be heard and their votes to count.
By airing an impassioned chorus of voices ranging from lawyers to religious clerics, the film argues that the 2009 protests were simply preparing the way for a larger populist movement that has yet to crest.
[Shows] us a moment in history that reveals more about itself each time it is examined.
The movie shows what happened, but it also conveys what it felt like to travel from euphoria to despair in the space of a few weeks.
A reminder that the first instance of the "Arab Spring" might have occurred in Iran. A reminder that the thirst for human rights and political freedom is universal.
Striking and powerful, The Green Wave serves as an inventive registering of the turmoil, upheaval and governmental crackdown of the Arab Spring.
Unlike Waltz with Bashir, it only seems to be using animation in an effort to make blog diaries by twentysomethings appear cinematic.
A forceful reminder that the present regime beat, tortured, murdered and imprisoned its own subjects.
Ahadu pulls the curtain back on a government that was willing to imprison and torture its electorate.
There are harrowing moments and a pulse, throughout, of passionate indignation. But more precision in the chronicling of events would have generated more power.
As an examination into the events leading up to and following the 2009 Iranian national elections, "The Green Wave" takes a more emtional route than an informational one. Overall, it is not as insightful as it could have been, although it does a good job of bringing up some of the political shenanigans of the ruling party. Along these same lines, more could have been done here to probe the country's arcane political structure of a usually passively repressive regime that holds elections as a form of show for critics, both internally and internationally.(All of which makes the political organizing that much more brave.) Some of that probably has to do with relying so much on anonymous blog posts and twitter feeds and I am not sure we are at a point where we can rely on them as a source material for a documentary. What speaks to me more than anything else here is the invaluable cell phone footage, capturing everything from the rallies to post election brutality. Of the animated footage, it is mostly neither here nor there, but there are some images of torture that I will be unable to shake off for a long while that just as much reminds me of the work of Frank Miller.
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