Ever since Steven Spielberg's Jaws cemented the concept of a Hollywood blockbuster, sharks have been synonymous with the summer movie season. Just last year a small-scale indie thriller, 47 Meters Down, was a breakout hit with a planned sequel on the way (they ignored my obviously brilliant suggestion of naming it 48 Meters Down, thus proving each additional entry would move the depths a measurable increment of peril). People love them some killer shark movies and the bigger the better. Well it doesn't get much bigger than The Meg, a movie with a monstrous prehistoric Megalodon shark approaching 75 feet long (that's one half of 47 Meters Down, if you think about it). The Meg has enough awareness, payoffs, and fun to stay afloat and be a better B-movie. Deep under the Mariana Trench, a team of deep-sea scientists has discovered a new habitat previously cut off by man. From here emerges the Megalodon, a ferocious predator that has no earthly competition. The team seeks out the help of Jonas Taylor (Jason Statham), a one-man rescue squad who had a run-in with The Meg in his tragic past. The science team must rescue its trapped members, track and evaluate the shark, and prevent the ancient beast from feasting on the locals in the South China Sea. This is a big stupid shark movie about a big stupid shark, and The Meg provides enough fun to at least warrant one trip out into the water. It's a monster movie that follows a well-worn formula of discovery, containment, escalation, and then all-out large-scale disaster. I appreciated that the succession of events followed enough of a logistical cause/effect relationship that allows the audience to better suspend disbelief and stay within the movie's agreeable wavelength of campy thrills. This is the kind of movie that introduces a family of whales only to mercilessly kill them off screen as passing shark food. It's the kind of movie that knows we want to watch Statham punch sharks in the face. There's genuinely more shark action than I was expecting and the action sequences have been given consideration to maximize their popcorn thrills. I am used to recent shark movies that hinge on the threat of the shark as an aquatic Boogeyman, on the peripheral and always threatening to return. With The Meg, once the shark is loose it's a constant presence and persistent problem. There is one moment where our hero has to shoot a tracking device into its dorsal fin. He has to get close while also not disturbing the water and calling attention to himself. It's a well-engineered and developed suspense sequence that takes advantage of the fun possibilities at play. There are more moments like this that exemplify a degree of thinking and development than sloppy, slapdash CGI mayhem. This is a major co-production with China and it's easy to tell. It's a $130 million Hollywood hybrid with an inclusive cast, global danger, and the havoc wrought on the human population this time are Chinese beach dwellers running in panic. The co-lead is Chinese star Bingbing Li (Transformers: Age of Extinction) who is set up by literally every character to be the romantic interest to the dashing Statham. Even the man's ex-wife is on the same mission, trying to hook these two up. Statham banging this single mom is the key to bridging these two market forces together, apparently. Speaking of the man in question, Statham (The Fate and the Furious) is dependable and irony-proof no matter the absurd film scenario. He provides the audience a reliable anchor amidst the genre silliness, plus gratuitous shirtless beefcake shots. He can say the most ridiculous lines of dialogue with a straight face and make you believe it. He's also great with children. Some of his best moments are his interactions with little Meiying (Shuya Sophia Cai), the young daughter of Li's character. Statham is so charming and natural around children, and he's able to coax instant chemistry with a child actor. Why hasn't somebody given Statham a Rock-style family vehicle where he acts alongside a precocious group of kids? What if he's an over-the-hill action star helping a group of kids make their own amateur movie? What if he's an ex-special forces agent-turned-birthday party magician trying to fish out a hidden target? What if he's a retired movie star trying to coach a pair of kids how to get their parents back together? I never knew I wanted this. There's enough of a knowing awareness that let me know the filmmakers understood the goofy kind of movie they were making. It's not exactly turning to the camera and winking but it feels like it's nodding at you, asking you to play along. This is exemplified in Rainn Wilson's (TV's The Office) character Morris, the outspoken billionaire who founded the whole science station. He's general comic relief in a movie about a giant shark because The Meg doesn't treat the shark as comic. After discovering the creature, the science team is ready to take things slowly and cautiously, and Morris flatly screams that we have no time for slow here. When Jonas jumps into the water to take on the shark, it's Morris exclaiming how awesome it is. The best example is when one of the lead scientists takes a moment to bemoan the overreach of science in a "what have we done?" speech, and Morris just throws up his hands and walks away grumbling, disinterested in listening to any self-serious yammering. Morris kept amusing me because we were repeatedly alike in our commentary and requests for this film experience. Even with scaled-down expectations, The Meg is still a monster movie that probably needed to be campier or more frightening to be a better movie (I gave the same diagnosis to Krampus). It's a fun film that understands what a genre audience wants, though it could have pushed further and found ways to subvert those expectations or given us more mayhem. This isn't a tiresome so-bad-it's-good-but-it's-still-bad genre wankfest like the tacky Sharknado movies. It's also not the delightful, campy, gory B-movie that is Deep Blue Sea. It's a monster movie that has a sense of amusement and doesn't waste time pretending to be too serious even when the professorial characters are given to lament. It achieves a middle zone that satisfies enough of your cravings but not fully hitting them. Not quite as enjoyably dumb as the earlier Rampage, The Meg is still a relatively silly, splashy monster movie with solid thrills, action development, and a good sense of what its core audience demands and how to go about fulfilling that promise. Statham and company plow ahead through the genre shenanigans and make it out the other end bloody yet unscathed. My biggest criticism is that I wanted more; more camp, more carnage, more knowing nods, the kind I got in abundance in last year's gloriously entertaining Kong: Skull Island. It gave me enough of a tantalizing preview of the better movie it could have become. Still, The Meg is a slice of summer escapism that gave me enough thrills, laughs, and satisfaction to leave me wanting more but mostly content with what I ultimately got. Nate's Grade: B-

Until films like Sharknado put a new spin on shark attack movies, Jaws was the best there was and ever will be. With the recent release of The Meg, I didn't have any hopes that it would come anywhere near the original, nor should anyone reading this, but if you're looking for a dumb movie to check out this summer, you can definitely do worse than The Meg. It's not exactly a good film by any means, but it's perfectly fine to turn your brain off every now and then in order to be excited by a film that has zero cleverness. Here's why I believe The Meg may impress you in terms of excitement, but only if you know what you're getting yourself into. Discovering that there is more to the ocean than just what people have seen (which is already ridiculous, to begin with), a team of divers go to the depths that nobody has in the past. Learning that there are larger-than-life creatures living down there, one of them escapes, in the form of a giant Megalodon shark. Attacking everything in its path as it tries to prey on the weak, this film becomes the dumb blockbuster you would hope it would be, but not soon enough. The cast is filled with talented actors/actresses, from Jason Statham to Li Bingbing, everyone delivers solid enough performances for this type of film. That being said, the unlikely pairing of young Shuya Sophia Cai and Jason Statham was easily the highlight of the movie in my eyes. Their fun chemistry throughout the course of the movie is what kept a smile on my face. The humanity is definitely present here, but you go into a movie like this to see awesome shark action, and although it's not as crazy as it could be with an R-rating, it still delivers some very cool sequences. Many viewers will be going to see this film in order to witness Statham going toe-to-toe with a giant shark and I can say with confidence that there are moments that will surely give you satisfaction. Sadly, the climax itself doesn't feel long enough in comparison with the very drawn-out build-up to that point. On top of the slow build-up, the characterization of everyone is very one-note and quite frankly, forgettable. From Rain Wilson to Cliff Curtis, even though they deliver solid performances, the characters throughout this film are incredibly predictable. The people you don't think will make it, don't, and vice versa. There isn't a single moment of real tension, because you can see everything coming from a mile away. The visual effects make up for the dumb characters and ridiculous premise, but it really isn't enough to warrant a recommendation in the end. The Meg is held up on a pedestal by the numerous talents throughout the cast and the action itself is awesome when it does come into the forefront, but it was too little, too late, at least for me. If you want to check out a fun action flick with Jason Statham fighting a shark, then I would absolutely recommend it for that, but if you're looking for another film as great as the original Jaws, I would look elsewhere. I would be lying if I said I didn't have a bit of fun watching this movie, but as a whole, it really does feel like a lazy attempt to sell a giant shark film to an audience. As a film this movie is terrible, but due to the fact that it knows exactly what it's trying to be, it's watchable. That's not really a recommendation, but if that sounds like something up your alley, I'd say give it a shot.