The Psycho Legacy (2010) - Rotten Tomatoes

The Psycho Legacy (2010)

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AUDIENCE SCORE

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Movie Info

This documentary examines the ongoing influence Alfred Hitchcock's 1960 classic Psycho has had on not just horror films, but on mainstream filmmaking. The filmmakers interview many of the people involved with both the original film, as well as people who appeared in the sequels.

Cast

Critic Reviews for The Psycho Legacy

All Critics (1)

A terrific, but way too brief, examination of the franchise, but this would have made a much better special feature than a full fledged DVD release.

Full Review… | October 20, 2010

Audience Reviews for The Psycho Legacy

A documentary filled with interviews of actors in and fans of the Psycho series. The documentary spends about 20 mins on the original Psycho film (the only one I know), and didn't get into enough of how Hitchcock worked. The documentary didn't make me want to go out and watch the rest of the series. I am surprised the original actor stuck through with the film series in one way or another until its 1990s made-for-TV finale. I guess it'd be better if I'd seen more of these movies.

D M
D M
½

Decent little documentary. They only focus on the 4 main films, so there's no mention of the TV film or the remake. They only spend about 20 minutes on each film, but there's still a lot of interesting facts and such. Plenty of interviews and clips. There's a lot it was missing, but fans of Psycho should still enjoy it.

Wes Shad
Wes Shad
½

The Psycho Legacy takes a look at the four films in the series though wisely ignores Gus Van Sant's odd shot-for-shot color remake of Hitchcock's original picture. The documentary begins by giving us a primer on the original film, explaining what made it different, why it had such an impact, and how it launched star Anthony Perkins into the mainstream only to see him quickly typecast in a part he'd never be able to escape, though eventually become both appreciative of and thankful for. We move through the first film fairly quickly, which considering the amount of material already available both in print form and on Universal's various video releases over the years, maybe isn't a bad thing. The film, to a certain extent, does assume that you have a basic knowledge of that picture - it is, after all, targeted to horror fans, but even if you don't you'll get a quick crash course here before moving on to the sequels, none of which have ever received the sort of supplemental love the first film has. From there we move through the different sequels that turned the first film into a series and are treated to interviews both new and archival that generally do a pretty good job of telling the story of the later films in the Psycho franchise. Not everyone involved in these films is still around, Hitchcock and Perkins being the two most obvious examples, but Richard Franklin who directed Psycho II has also passed on, but Robert Galluzo has done a pretty good job of rounding up a decent selection of people who worked on these films as well as modern independent filmmakers who were influenced by the movies under discussion. That said, there are few obvious omissions (they couldn't get Meg Tilly to talk about Psycho II?) that keep this from being the definitive statement many had hoped it would be. We're treated to some interesting stories about working with Perkins both as an actor and as a director. Most involved speak quite kindly of him, though we're told a few times that he didn't seem to enjoy working with the aforementioned Ms. Tilly on Psycho II and there are some interesting speculations offered up as to why. Jeff Fahey pops up and offers some recollections from his time on the set of the third film while various writers and crewmembers provide some insight into what they did and how. The filmmakers interviewed don't really offer up all that much, save for Mick Garris who has a personal connection to the series, and their input could have easily been chopped out if it had been replaced with some of the more interesting recollections from those involved that pop up in the deleted scenes. One can probably safely assume they were included as an attempt to demonstrate the series' influence, which carries over well into the modern day, but their input is generally not quite enough to really offer much specific information. That's a minor complaint, however. This may not be as polished or as slick as Never Sleep Again (so comprehensive that it has to be the new standard by which documentaries like this shall be judged!) but it's affectionate, enthusiastic, and interesting enough to work.

David Ladd
David Ladd

Super Reviewer

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