
The Sound and the Fury
1959, Drama, 1h 55m
4 Reviews Fewer than 50 RatingsYou might also like
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The Sound and the Fury Photos
Movie Info
The once-prominent Compson family of Jefferson, Miss., has been reduced to near-penury by generations of alcoholism and sin. Levelheaded Jason (Yul Brynner) struggles to keep the family together, but his teenage stepsister, Quentin (Joanne Woodward), chafes against his strictures. When Quentin's estranged mother (Margaret Leighton) reappears in town and carnival worker Charles (Stuart Whitman) attempts to seduce the virginal teen, the family may finally be headed for complete collapse.
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Genre: Drama
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Original Language: English
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Director: Martin Ritt
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Producer: Jerry Wald
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Writer: Irving Ravetch, Harriet Frank Jr.
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Release Date (Theaters): original
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Runtime:
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Distributor: 20th Century Fox
Cast & Crew

Yul Brynner
Jason Compson

Joanne Woodward
Quentin Compson, Narrator

Margaret Leighton
Caddy Compson

Stuart Whitman
Charlie Busch

Ethel Waters
Dilsey

Jack Warden
Ben Compson

Francoise Rosay
Mrs. Caroline Compson

John Beal
Howard Compson

Albert Dekker
Earl Snopes

Steven Perry
Luster

Roy Glenn
Job

William Gunn
T.P., Dilsey's Grandson

Martin Ritt
Director

Jerry Wald
Producer

Irving Ravetch
Screenwriter

Harriet Frank Jr.
Screenwriter

Alex North
Original Music

Charles G. Clarke
Cinematographer

Stuart Gilmore
Film Editing

Maurice Ransford
Art Director

Lyle R. Wheeler
Art Director

Paul S. Fox
Set Decoration

Walter M. Scott
Set Decoration

Adele
Costume Design
Critic Reviews for The Sound and the Fury
Audience Reviews for The Sound and the Fury
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Apr 07, 2018More time spent in the sultry South, where sex is so alluring simply because there's not a heck of a lot much else to do. Joanne Woodward is a young woman feeling bored by the sameness of her life and by the slow decline of her once respected family and thusly looking for a little pick-me-up, nudge, nudge, wink, wink. Yul Brynner is an outsider, but now running the whole show, if only because he's the only one who cares to. Sure, his Southern accent is for the birds, but he delivers the usual strong performance that holds down the usual languid proceedings Southern Gothic usually takes. Not boring, if ever so predictable.
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