1917
Just Mercy
The Lighthouse
Dare Me
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All Critics (20) | Top Critics (9) | Fresh (16) | Rotten (4)
The pace is an anti-ornamental affectation that artificially distends an hour's worth of action. May 22, 2017 | Full Review…
The pace is an anti-ornamental affectation that artificially distends an hour's worth of action.
Richard Brody
Diaz has made an epic-length small film about the powerless, one full of moral urgency that he chooses to elongate and slow down to a crawl. It's a quiet consideration of grief and mercy, of control taken and freely given up. May 19, 2017 | Full Review…
Diaz has made an epic-length small film about the powerless, one full of moral urgency that he chooses to elongate and slow down to a crawl. It's a quiet consideration of grief and mercy, of control taken and freely given up.
Dave White
That a film this busy can find such focus in its closing moments says that whatever Diaz's methods of inspiration and creation, he knows exactly what he's doing. May 19, 2017 | Rating: 3/4 | Full Review…
That a film this busy can find such focus in its closing moments says that whatever Diaz's methods of inspiration and creation, he knows exactly what he's doing.
Scout Tafoya
The film makes uncompromising demands on your attention and your empathy. But it is also illuminating and, in its downbeat, deliberate way, exhilarating. May 18, 2017 | Full Review…
The film makes uncompromising demands on your attention and your empathy. But it is also illuminating and, in its downbeat, deliberate way, exhilarating.
A.O. Scott
The Woman Who Left may not be a movie for everyone, but if you allow yourself to settle into its leisurely tempo and marinate in its heroine's journey, it can be a richly rewarding experience. May 17, 2017 | Rating: B | Full Review…
The Woman Who Left may not be a movie for everyone, but if you allow yourself to settle into its leisurely tempo and marinate in its heroine's journey, it can be a richly rewarding experience.
Chris Nashawaty
The film boasts one of Diaz's most dramatically conventional, involving, and satisfying narratives. May 17, 2017 | Rating: B | Full Review…
The film boasts one of Diaz's most dramatically conventional, involving, and satisfying narratives.
Ignatiy Vishnevetsky
Ang Babaeng Humayo is a bleak and blistering portrait of the human condition. Jul 17, 2019 | Full Review…
Ang Babaeng Humayo is a bleak and blistering portrait of the human condition.
Oggs Cruz
There's no hope in The Woman Who Left, merely the image of what disappears. Dec 29, 2017 | Full Review…
There's no hope in The Woman Who Left, merely the image of what disappears.
Lorenzo Esposito
Simultaneously bleak and illuminated, The Woman Who Left is not just about revenge, moral integrity, and opportunity. It's about life...a life you didn't choose to live but you are compelled to. Nov 15, 2017 | Rating: 7/10 | Full Review…
Simultaneously bleak and illuminated, The Woman Who Left is not just about revenge, moral integrity, and opportunity. It's about life...a life you didn't choose to live but you are compelled to.
Filipe Freitas
A intense morality tale about the resilience of a good-hearted woman. May 19, 2017 | Rating: 3.5/5 | Full Review…
A intense morality tale about the resilience of a good-hearted woman.
Frederic and Mary Ann Brussat
The characters here are so vividly drawn and performed, and the contemplative mood so remarkably sustained, that the film casts a genuinely suspenseful and mesmerizing spell over the span of its nearly four hours. May 18, 2017 | Rating: 7.5/10 | Full Review…
The characters here are so vividly drawn and performed, and the contemplative mood so remarkably sustained, that the film casts a genuinely suspenseful and mesmerizing spell over the span of its nearly four hours.
Kenji Fujishima
It suffers by resembling arty, didactic bloat when it most begs for a more sophisticated dramatic touch. May 15, 2017 | Rating: 2/4 | Full Review…
It suffers by resembling arty, didactic bloat when it most begs for a more sophisticated dramatic touch.
Carson Lund
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